NEWS

CROWS FEET ARE INGRAINED ON MY FACE: A TRIBUTE TO MARK E. SMITH

The Fall | 25/01/18

Image: Mark E Smith Domino

 

Crows Feet Are Ingrained On My Face

A tribute to Mark E. Smith by Richard King.

In 2010, following the success of the Von Südenfed record, it was agreed that Domino would release the next album by The Fall. I was charged with writing the biography for the release and was given a number to ring in order to speak with Mark E. Smith. Elena Poulou answered the phone and in the background I could hear a raucous noise I assumed to be the band rehearsing. Although this was unlikely as I was calling Mark and Elena at their home.

'Sorry,' Elena said as the noise increased in volume and now included laughter and animated shouting 'could you call tomorrow same time, it's not convenient'.

When I telephoned the next day Elena answered once again, apologised for the day before as Mark came briskly to the phone.

'Alright, yeah' he said  'we're going to get this record out. What’s taking so long?' Mark E Smith then chuckled and for the next ten minutes he spoke with the combination of politeness, indignation and occasional contrariness on which his reputation rested.

I asked him about the new album's opening track 'Bury Parts 1 & 3', 'I fucking hate the place' he said, as well as the album's closing number 'Weather Report 2' a song that shared an emotional tenderness and tone with 'Bill Is Dead' from the 1992 album Extricate.

'Well,’ he continued 'I really like the band at the moment and think it’s the best we've sounded. I mean I would say that but I mean it.'

The defining characteristic of 'Weather Report 2' and 'Bill Is Dead' is the rarely heard vulnerability in Smith's voice and a lyric in which he talks openly and dramatically about his life. There was a pause that indicated this brief moment of sentimentality was sufficient and that our conversation had now ended.

Your Future Our Clutter was well received and continued the momentum The Fall had regained at the turn of the century, when a run of strong releases, the renewed interest in Post Punk and their discovery by a new generation led to one of their most energetic and popular periods.

No one would ever doubt Smith's work ethic but by the late 1990s his well-documented behavioural problems, together with the sense of The Fall operating on a treadmill of contractual obligations and cash in hand reissues had curdled his doggedness. Some of the records from this period such as Levitate and The Marshall Suite are eerie in a way few other Fall records are eerie. On them Smith sounds under resourced, both financially and emotionally, to resist his investiture as an Indie National Treasure. A situation he clearly finds intolerable. The productivity rate of the prole art threat had by now threatened the band’s future. At the concert I attended at Dingwalls in '98 the band played as a trio of Smith, Julia Nagle and a drummer, Kate Themen. For ten minutes towards the end the choreographer Michael Clarke joined them on bass. Many present found the performance riveting, but I suspect most assumed they had witnessed the band's final London concert.

Parts of their subsequent survival lie in the regard and mystique with which The Fall were held outside the UK. In the record shop I worked in almost twenty-five years ago, I came close to convincing a young Will Oldham to part with a portion of his fee from the previous night's concert for a mint copy of Fall In A Hole. On a visit to the Domino office Bill Callahan once enquired about the merits of 1997's Levitate, a record very few people I knew had bothered listening to. And despite his regular criticism of the band, Pavement covered The Classical from Hex Enduction Hour for a Peel Session that year. Its inclusion moved the DJ to send the band a personal note of thanks.

It's not difficult to imagine how exotic the early Fall must have seemed to young people in America with enquiring minds. On the 1981 live album A Part Of America Therein, the band are introduced as being from the 'From the riot torn streets of Manchester, England'. The Fall's music of that era is as evocative of Britain in the early 1980s as any World In Action documentary. The lyrics to 'Winter' feature a 'cleaning lady', 'alcoholics dry out house', and a 'feminist Austin maxi with anti nuclear sticker'. The accompanying music is played by a band with a listlessness that, like much of the country at the time, is almost pathological.

The performance the band gave on the Peel session version of 'Winter' is particularly dramatic. On many of these recordings Smith's voice is often louder in the mix and the BBC studio arrangements clearly suited the band. Perhaps Smith was also aware how symbiotic the relationship between The Fall, the radio session and the DJ had become. These were sessions listened to by people who resisted the idea of Smith as an avuncular curmudgeon. They saw him more as an avant-garde Johnny Cash: a man in a black leather jacket and the same neat haircut who was incapable of stopping and whose eyes had become ingrained with crow's feet at an early age. Someone who lived by their wits and was well aware they were sharper and more resilient than those of his contemporaries.  

Three years ago I invited Smith to do a Q&A at the stage at Green Man Festival I was then curating. He and the band arrived backstage in their usual manner, in a vehicle branded in the livery of Salford Van Hire. For two hours they sat in the sunshine decompressing from the journey down, laughing and drinking but not to excess, merely enjoying the moment.

 When it was time for Smith to take the stage I led him to the side entrance. His right arm shot out with an involuntarily spasm.

'Fucking hell' he whispered 'I didn't know it was this big, can you get us a beer?' I duly passed him a can that he downed in one, before strutted on to the stage with a theatrical sniff and his usual swagger. He received an ovation from the nine hundred people gathered there to see him and for a brief moment a smile cracked across his face. The interview was sponsored by the music magazine Mojo and consisted of questions sent in from its readers. For the next 50 minutes he held forth on matters that provoked his ire: music magazines, Mojo in particular, festivals, Stewart Lee and matters he found inspiring, including Ultramagnetic MCs and Methodism.

Fantastic Life.

 

SUPERORGANISM ANNOUNCE DEBUT ALBUM DETAILS, RELEASED 2ND MARCH 2018

Superorganism | 03/01/18

Image: Superorganism - photo credit Jordan Hughes

Superorganism, one of 2018’s most hotly tipped new artists, today announce full details of their highly anticipated debut album. The eight piece band - a sprawling, multi-limbed collection of international musicians and pop culture junkies who have been shortlisted in the BBC Sound Of and VEVO dscvr polls among others – will release their self-titled debut on 2nd March via Domino.

Self-produced, written and recorded in the east London house-stroke-studio-stroke band HQ they all share together (imagine a squat version of the Brill Building, or a lo-fi, DIY take on Max Martin’s Cheiron studio), Superorganism is a spectacularly confident debut record that beams with a sense of wonky fun, a kaleidoscopic riot of sound and visuals. Influenced by the world-building depth of artists like Devo, Beck and The Avalanches, Superoganism soundtrack’s the band’s rapid trajectory from shared house side project to global audiovisual powerhouse and features previous singles ‘Something For Your M.I.N.D.’ and ‘It’s All Good / Nobody Cares’ as well as their brand single ‘Everybody Wants To Be Famous’.

Revealed today for the very first time, ‘Everybody Wants To Be Famous’ is accompanied by a stunning video from Superorganism’s very own Robert Strange and can be watched right now below.

Superorganism track list: 

01 It’s All Good                                            

02 Everybody Wants To Be Famous

03 Nobody Cares  

04 Reflections On The Screen               

05 SPRORGNSM                   

06 Something For Your M.I.N.D.

07 Nai’s March                          

08 The Prawn Song                                 

09 Relax

10 Night Time

Superorganism formats: 

* Standard LP – Gatefold LP, single vinyl, four page booklet, DL card

* Deluxe LP – Glow in the dark gatefold, single vinyl, four page booklet, DL card

* Deluxe CD – Mini gatefold with 16 page booklet

* Standard CD – Jewelcase with 16page booklet

* Digital Download + Spotify Pre-save

Meanwhile, Superorganism will be taking their acclaimed live show on the road throughout 2018, including extensive UK, European and north American headline tours. The full dates are below, including a London headline show at the 1000 capacity Oval Space on 8th March, with further information available from http://www.wearesuperorganism.com/#tour

Superorganism Live

JANUARY

Fri 19   Netherlands, Groningen, Eurosonic

FEBRUARY

Thu 15   United Kingdom, London, The Jazz Café

Sun 18   France, Paris, Café de la Danse

Mon 19   Belgium, Brussels, Botanique - The Rotonde

Tue 20   Netherlands, Amsterdam, Sugar Factory

Thu 22   Germany, Cologne, Die Kantine

Fri 23   Germany, Berlin, Festsaal Kreuzberg

Sun 25   Denmark, Copenhagen, Vega Small Hall

Mon 26   Sweden, Stockholm, Kagelbanan

MARCH

Fri 02   Norway, Oslo, by:Larm

Sat 03   Norway, Oslo, by:Larm

Mon 05   United Kingdom, Birmingham, Institute 2

Wed 07   United Kingdom, Manchester, Gorilla

Thu 08   United Kingdom, London, Oval Space

Fri 09    United Kingdom, Brighton, The Haunt

Sun 11   United Kingdom, Glasgow, CCA: Centre for Contemporary Arts

Mon 12   United Kingdom, Leeds, Belgrave

Mon 19   USA, Los Angeles, Echoplex

Tue 20   USA, San Francisco CA, Rickshaw Stop

Thu 22   USA, Portland OR, Doug Fir Lounge

Fri 23   USA, Seattle WA, Barboza

Mon 26   USA, Minneapolis MN, 7th Street Entry

Tue 27   USA, Madison WI, The Frequency

Wed 28   USA, Chicago IL, Schubas Tavern

Fri 30   Canada, Toronto ON, The Mod Club

Sat 31   Canada, Montreal QC, Belmont

APRIL

Sun 01   USA, Boston MA, Brighton Music Hall

Tue 03   USA, Washington DC, Rock & Roll Hotel

Wed 04   USA, Philadelphia PA, Boot & Saddle

Thu 05   USA, Brooklyn NY, Music Hall Of Williamsburg

JUNE

Sat 02   Ireland, Dublin, Royal Hospital Kilmainham

JULY

Fri 13 – Sun 15   Germany, Crafenhaimichen, Melt Festival

AUGUST

Tue 07 – Sat 11   Norway, Oslo, Øyafestival 2018

                             

 

WILD BEASTS ANNOUNCE DOMINO DOCUMENTS ALBUM LAST NIGHT ALL MY DREAMS CAME TRUE FOR FEB 16TH

07/12/17

Image: wild beasts

When Wild Beasts announced that they would be calling it a day, the news came with an unusual absence of drama. There were no bust-ups or breakdowns to report, no warring words, not even a trace of the trademark “creative differences”. Instead there was a dignified and heartfelt message to their fans that explained that the band had run its course.

For those who’d watched the Cumbrian group grow from purveyors of peculiar guitar pop into one of the most inventive and important bands of their generation, the news came as a shock. Weren’t they just hitting the peak of their powers? Perhaps that was the point.

“I think there's a life cycle with any band,” says Hayden Thorpe. “It reaches a point where the snake begins to eat its tail. Our last album, ‘Boy King’, felt just like our first record in many ways – in its fuck you spirit, in its sense of self-destruction.”

Wild Beasts will play their final ever shows in February next year, and we bid the band a bittersweet farewell with Last Night All My Dreams Came True – a live studio album to be released on February 16th via Domino Documents.

Last Night All My Dreams Came True is a career-spanning collection and features songs from each of Wild Beasts’ studio albums with an emphasis on Boy King, their most direct record yet. Looking back on Wild Beasts’ back catalogue and the themes they tackled, there is a sense of prescience – toxic masculinity, gender fluidity, the conflicts surrounding class, politics and art were no bandwagon jumps, often becoming hot topics in the media several years after they’d been eloquently dealt with on record. 

Today, we are pleased to share ‘The Devil’s Palace’, a rarely-played track that blends ‘The Devil’s Crayon’, from the quartet’s debut Limbo, Panto, and ‘Palace’, from 2014’s Present Tense. An exclusive for the record, it showcases the vocal interplay between Thorpe’s falsetto and Tom Fleming’s baritone perfectly.

Recorded in two days over the summer at RAK Studios, Last Night All My Dreams Came True is the second official Domino Documents release and has more than fulfilled the Domino Documents aim to capture a band at the height of their powers, recording a selection of their finest songs.

“It’s us as tight and slick as we ever have been,” adds Tom. “And it’s also us giving the fewest fucks we've ever given. There’s a sense of celebration and destructiveness combined, a sense that the fetters are off. Not that they were ever on ... but that sense of limited time before you shuffle off is very much a motivator.”

And make no mistake; this is the last time Wild Beasts will be doing such things. This is no hiatus and there are no crafty eyes on a future reunion. “We get to leave our desk by our own accord,” concludes Hayden, “and that makes us very lucky. Whoever gets to do that?”

Tracklisting:

  1. Wanderlust (Live at RAK)
  2. Big Cat (Live at RAK)
  3. A Simple Beautiful Truth (Live at RAK)
  4. 2BU (Live at RAK)
  5. Bed Of Nails (Live at RAK)
  6. Hooting & Howling (Live at RAK)
  7. This Is Our Lot (Live at RAK)
  8. He The Colossus (Live at RAK)
  9. The Devil’s Palace (Live at RAK)
  10. Alpha Female (Live at RAK)
  11. Get My Bang (Live at RAK)
  12. All The King’s Men (Live at RAK)
  13. Celestial Creatures (Live at RAK)

Last Night All My Dreams Came True is available to pre-order on limited-edition coloured double LP, standard double LP, CD and digital. Pre-order: Dom Mart | Digital

Wild Beasts live
January 13th 2018 – Rockaway Beach Festival, Bognor Regis
February 15th 2018 – Olympia, Dublin
February 16th 2018 – o2 Apollo, Manchester – Note upgraded venue
February 17th 2018 – Eventim Apollo, London Tickets


 

JOB OPPORTUNITY: PARALEGAL / BUSINESS AFFAIRS ASSISTANT

05/12/17

Image: logo domino neon NL


Domino seeks a Paralegal / Business Affairs Assistant to join its Business Affairs department in our London office and working across both the record label and publishing company 

Core Responsibilities Include:

  • Supporting Head of Business Affairs as required
  • Preparing artwork and video agreements, synchronisation, sample and lyric licenses, extension and variation agreements
  • Responsible for third party agreements including producers, mixer, and featured artist agreements (including negotiating within prescribed limits)
  • Coordinating management approvals and signing of agreements
  • Updating licensing spreadsheets and arranging delivery of masters to external labels
  • Working with the Business Affairs team to ensure files, templates and knowledge resources are properly maintained and kept up to date
  • Managing ad hoc queries and researching points of law
  • Working closely with other departments and artist management in relation to clearances
  • Assisting on all other issues that contribute to the running of the Business Affairs department where appropriate
  • Please note that the job description is not exhaustive and may vary in line with changes in the team’s objectives.

The ideal candidate will have:

  • Experience of the music industry in a business affairs/legal capacity;
  • Excellent attention to detail and a proven track record in negotiating and concluding deals in challenging environment;
  • A law degree or legal background;
  • Excellent drafting skills, with a keen commercial mind;
  • The ability to communicate effectively with people at all levels of the business;
  • The ability to work autonomously, think strategically and be proactive;
  • Strong administrative, Microsoft Office, Excel, organisation and planning skills.

Please send a covering letter stating how you meet the requirements along with your CV to vacancy@dominorecordco.com before 6pm on Monday 18th December, 2017.

 

JOB OPPORTUNITY: ADMINISTRATIVE ASSISTANT

05/12/17

Image: logo domino neon NL


Domino seeks an Administrative Assistant to join its Business Affairs department in our London office working across both the record label and publishing company. 

The role of the Administrative Assistant is to provide general administrative support for the Business Affairs team and reporting to the Business Affairs Manager. 

Main responsibilities: 

  • Working closely with all members of the Business Affairs team and internal departments, including Finance and A&R
  • Setting up and maintaining appropriate administration and contract management systems
  • Handling internal queries on artist contracts and researching potential legal issues
  • Managing broadcast and compilation agreements (with potential to increase this scope) including negotiation within prescribed limits and liaising with artist management
  • Typing and amending correspondence and other documentation.
  • Supporting the team by carrying out administrative tasks such as filing, photocopying and sending out documents
  • Assisting the team in the management of the firm’s knowledge and information resources 

Person specification:

  • Excellent organisational skills and attention to detail
  • Strong Microsoft Office, Excel and IT skills
  • Ability to prioritise and manage multiple responsibilities
  • Proactive and able work under pressure
  • Legal or Business Affairs experience
  • Experience within music industry preferred
  • Salary:  Please state your salary requirements.
  • Please send a covering letter stating how you meet the requirements along with your CV to vacancy@dominorecordco.com before 6pm on Monday 18th December, 2017.
 

JOB OPPORTUNITY: PRODUCT MANAGER

24/11/17

Image: logo domino neon NL


Domino seeks a Product Manager to join its London team.

Product Managers at Domino are in charge of running artist campaigns inside the company.

The successful candidate will have significant experience in working closely with recording artists and their managers while a proven track record in devising and delivering creative and notable marketing campaigns is essential

The candidate should have a solid general knowledge of the music industry, the marketplace, the digital space and how this informs all aspects of marketing.

The role also includes being responsible for the creation of all campaign content -  so the candidate will need to be confident in commissioning high quality music videos, remixes, artwork and all types of digital content / marketing assets.

Responsibilities include:

• Devising and implementing quality and highly creative marketing campaigns alongside the rest of the team, for a designated roster of artists.

• Delivering the campaign to the rest of the Domino global team.

• Formatting and origination of physical and digital releases and liaising with our distributer on all aspects of driving retail sales and retail marketing initiatives.

• Responsible for all content origination and commissioning and delivery of all video, audio and digital content, as well as marketing assets, to meet deadlines and relevant specs, liaison with management/licensors to ensure global co-ordination.

• Responsible for originating the overall timeline for the campaign and making sure the various deliverables are meeting designated deadlines.

• Making sure that all aspects of the campaign are communicated, objectives are set and followed up on by the wider Domino team, and in charge of getting input from the various members of the team on the project, including but not limited to A&R, Marketing/Digital Marketing, Promotions, International, Production, Digital Account Management. 

• Managing of given budgets and liaising with the UK GM on budgets for all artists

Minimum 3 years appropriate experience

Salary dependent on experience. 

Please send a covering letter stating how you meet the requirements along with your CV to pmjob@dominorecordco.com before 5pm on Monday 11th December, 2017.

 

SORRY RELEASE DEBUT SINGLE ‘WISHED’ ON DOMINO

Sorry | 16/11/17

Image: Sorry press shot

Sorry are a new London band centered around Asha Lorenz and Louis O'Bryen, two 19 year-old childhood best friends. Along with Lincoln Barrett (drums) and Campbell Baum (bass) Sorry have been making a name for themselves on London's underground circuit since 2015.

Although starting life with a conventional rock band set up, Sorry’s tastes are wide-ranging and reflect their age and omnivorous YouTube-era musical upbringing where rock, hip hop, noise, electronic soundscapes, grime and folk all sit side-by-side and without confusion. Accordingly, all these influences and more form the band's unique nascent musical universe - a bold, ambitious and at times irreverent canvas onto which the symbiotic intensity of Lorenz’s and O'Bryen's emotional and hyper-melodic songwriting is projected.

‘Wished’ is their debut studio recording and follows the recent self-release of Home Demo(ns) Vol. 1, an eclectic, homespun 13 track audio/visual mixtape. Recorded by Sean Oakley (Rick Rubin, Frank Ocean) and mixed by Andrew Savours (My Bloody Valentine), it is an enticing first document of the band's effortlessly emotive songwriting and command of atmosphere which will be familiar to anyone who has seen their visceral live shows so far, as well as a glimpse at in-studio production possibilities to be explored in their future work. ‘Wished’ will also be accompanied by a b-side, ‘Lies’ - set to arrive later this month. Both tracks will be packaged together on Sorry’s very first 7” vinyl release on Domino, available to pre-order here.

Sorry will embark on a full U.K. tour supporting South London’s psychedelic soul reinventors Childhood on 16 November - taking in Leeds, Dublin, Birmingham, Glasgow, Manchester, Brighton and London - before ending 2017 with their biggest headline show to date at Corsica Studios in London on 5 December. The evening will see the band curate a line up of artists, DJs and visual artists, including Middle England (live), DJ sets from Mica Levi and Glows, and poet Georgie Jesson, plus an exhibition from Flop / Spit Tease.


See Sorry at the following live dates:

16 November | Brudenell, Leeds*

18 November | The Grand Social, Dublin*

19 November | Hare and Hounds, Birmingham*

21 November | Broadcast, Glasgow*

22 November | The Dead Institute, Manchester*

27 November | Patterns, Brighton*

28 November | Scala, London*

5 December | Corsica Studios, London

*w/ Childhood

 

HOOKWORMS ANNOUNCE NEW ALBUM MICROSHIFT, OUT FEBRUARY 2ND 2018

08/11/17

Image: hookworms

Domino is very proud to present Microshift, the third album from Hookworms, due for release on February 2nd 2018. With the announcement of Microshift, the band share new track, ‘Negative Space’ – listen HERE. Along with new music, Hookworms will return to the live circuit with dates in both 2017 and in 2018 (a full list of dates and ticket links can be found below).

Microshift is the Leeds band's first new work in over 3 years and marks a seismic shift in their sound, dynamic, songwriting and production, whilst still bearing all the ferocious energy, intricate musicianship and bruised but beautiful song-craft of the previous releases which have quietly made them one of the UK's most revered young bands. 

This is the band's third studio album technically but arguably the first in which the studio has been central to its creation. Pearl Mystic and second LP, The Hum were heavily informed by the band's live sound, Microshift on the other hand came to life in the studio, formed out of loops, modular synthesizer sequences, drum machines, homemade samples etc. which were jammed around and layered until the songs began to emerge. The band have also opened their writing to include collaborations with artists such as Richard Formby (on Opener), Christopher Duffin (on Boxing Day) and Alice Merida Richards (on Each Time We Pass).

Radiant, immersive and teeming with light, but still heavy and forceful - the music on Microshift acts as a very deliberate counter to some of the difficult topics the album's lyrics address. Death, disease, heartbreak, body image and even natural disaster are all present here but the overall effect these songs achieve is euphoric catharsis.

The album was written and recorded in full following a complete rebuild of the band’s Suburban Home Studio after the River Aire floods in Leeds in the winter of 2015 which devastated the studio. The band had an incredible response to a GoFundMe campaign and the subsequent help of volunteers over several months to rebuild the studio from nothing is a huge part of the band’s continued existence. Striving through the toughness, it is perhaps no surprise that the record is one of both defiance and darkness. “All of our records are to an extent about mental health,” comments MJ. “Largely this is an album about loss but also about maturing, accepting your flaws and the transience of intimacy”. 

Hookworms are MJ, MB, JW, JN & EO.

Microshift will be available on deluxe limited edition LP (including orange colour vinyl, exclusive alternate artwork sleeve, and printed PVC outer sleeve plus bonus hand numbered screen print limited to 500), deluxe LP, standard LP, CD and download.

Pre order via:

Dom Mart / iTunes / Bandcamp

Hookworms Tour Dates

2017

Friday 24th November – Hebden Bridge – Trades Club - TICKETS

Sunday 3rd December – Leeds – Community Room @ Brudenell Social Club - TICKETS

2018

Friday 23rd February – Liverpool – Invisible Wind Factory – TICKETS

Saturday 24th February – Brighton – Patterns - TICKETS

Sunday 4th March – Birmingham – Hare & Hounds - TICKETS

Friday 9th March - Manchester - The White Hotel - TICKETS

Saturday 10th March  - Manchester - The White Hotel - TICKETS

Sunday 18th March – Newcastle – The Cluny - TICKETS

Saturday 24th March – London – Electric Brixton – TICKETS

Sunday 25th March – Sheffield – Picture House Social - TICKETS

 

FRANZ FERDINAND RELEASE NEW ALBUM ALWAYS ASCENDING ON FEBRUARY 9TH 2018

25/10/17

Image: FF launch pic

Always Ascending’ the new album from Franz Ferdinand, is being released by Domino on Friday the 9th of February.  Nothing short of a rebirth, the album’s 10 songs are a triumphant recasting of the group, bursting with fresh ideas and vigorous sonic experimentation.  You can listen to the first single, also titled ‘Always AscendingHERE and download or stream it HERE.

Always Ascending’ was recorded at RAK Studios, London and Motorbass in Paris, with the help of French producer extraordinaire Philippe Zdar (Cassius, Phoenix, The Beastie Boys), the mutual affection between band and producer seeping into every dazzling groove. ‘Always Ascending’ shows Franz Ferdinand broadening their palate, as exuberant as it is euphoric, creating a sound that singer, Alex Kapranos, refers to as “simultaneously futuristic and naturalistic.”

From the city which jointly played host to the album’s conception, the band will mark the announcement of ‘Always Ascending’ with a live streamed launch event at Paris’s Point Ephémère, to be broadcast from the Franz Ferdinand Facebook page from 8.30pm BST tonight, Wednesday October 25, during which the band will preview a selection of their new recordings.

 ‘Always Ascending’ is available to pre-order via iTunes and all DSPs now and will be available on CD, vinyl and ltd edition cassette via DomMart, with a special DomMart edition, featuring marbled blue and white vinyl, with a signed print and tote bag. 

Franz Ferdinand are Alex Kapranos, Bob Hardy, Paul Thomson, Julian Corrie and Dino Bardot.

The tracklisting for ‘Always Ascending’ is as follows:

  1. Always Ascending
  2. Lazy Boy
  3. Paper Cages
  4. Finally
  5. The Academy Award
  6. Lois Lane
  7. Huck And Jim
  8. Glimpse Of Love
  9. Feel The Love Go
  10. Slow Don’t Kill Me Slow

The band are also announcing their forthcoming tour dates, including a show at London’s 02 Brixton Academy on Saturday the 24th of February, full worldwide dates are as follows:

Monday 4 December / Seattle, WA / Showbox Market 

Tuesday 5 December / Vancouver, BC / Commodore (SOLD OUT)

Wednesday 6 December / Vancouver, BC  / ommodore 

Thursday 7 December / Portland, OR / Theater of the Clouds (947FM Portland DEC2REM) 

Saturday 9 December / Pomona, CA / The Glass House 

Sunday 10 December / Los Angeles, CA / The Forum (KROQ Almost Acoustic Christmas) (SOLD OUT)
 

Thursday 25 January / Tokyo, Japan / Shinkiba Studio Coast

Saturday 10 February / Galway, Ireland / Leisureland

Sunday 11 February / Dublin, Ireland / Olympia Theatre

Tuesday 13 February / Manchester, UK / Albert Hall

Wednesday 14 February / Nottingham, UK / Rock City

Friday 16 February / Newcastle, UK / 02 Academy

Saturday 17 February / Glasgow, UK / 02 Academy

Monday 19 February / Leeds, UK / 02 Academy

Tuesday 20 February / Birmingham, UK / 02 Academy

Wednesday 21 February / Bristol, UK / 02 Academy

Friday 23 February / Cambridge, UK / Corn Exchange

Saturday 24 February / London, UK / 02 Brixton Academy

Sunday 25 February / Brighton, UK / Dome

Tuesday 27 February / Paris, France / Zenith

Wednesday 28 February / Brussels, Belgium / Forest National

Thursday 1 March / Hamburg, Germany / Mehr! Theater

Saturday 3 March / Utrecht, Netherlands / TivoliVrendenburg

Sunday 4 March / Groningen, Netherlands / De Oosterpoort

Monday 5 March / Cologne, Germany / Palladium

Wednesday 7 March / Berlin, Germany / Tempodrom

Thursday 8 March / Warsaw, Poland / Stodola

Friday 9 March / Prague, Czech Rep. / Forum Karlin

Sunday 11 March / Zurich, Switzerland / Halle 622

Monday 12 March / Munich, Germany / Tonhalle

Tuesday 13 March / Vienna, Austria / Gasometer

Thursday 15 March / Bologna, Italy / Unipol Arena

Saturday 17 March / Madrid, Spain / La Riviera

Monday 19 March / Toulouse, France / Zenith

Tuesday 20 March / Montpellier, France / Zenith Sud

Wednesday 21 March / Lyon, France / Amphi 3000

Friday 23 March / Rennes, France / Liberte

Saturday 24 March / Caen, France / Zenith

Sunday 8 April / Toronto, ON / Rebel 

Tuesday 10 April / Boston, MA / House of Blues 

Wednesday 11 April / Washington, DC / 9:30 Club 

Friday 13 April / Philadelphia, PA / The Fillmore 

Monday 16 April / Brooklyn, NY / Brooklyn Steel 

Friday 27 April / Minneapolis, MN  First Avenue 

Saturday 28 April / Kansas City, MO / The Truman 

Monday 30 April / Milwaukee, WI / The Rave

Wednesday 2 May / St. Louis, MO / The Pageant 

Monday 7 May / Dallas, TX / House of Blues 

Tuesday 8 May / Houston, TX / White Oak Music Hall 

Friday 11 May / Phoenix, AZ / The Van Buren 

Sunday 13 May / San Diego, CA / North Park @ The Observatory 

Tuesday 15 May / Los Angeles, CA / The Wiltern

Thursday 17 May / Oakland, CA / The Fox Theatre

Tickets for shows in Ireland, UK and Europe will be available to purchase from 9am on Friday the 3rd of November, Japan from the 11th of November and US and Canada from 10am local time October 27th.  More information can be found on the band’s website: http://franzferdinand.com

 

SPINNING COIN DEBUT ALBUM PERMO RELEASED NOV 10TH VIA GEOGRAPHIC MUSIC

Spinning Coin | 06/09/17

Image: Permo launch shot

Over the space of three years, two singles and countless gigs, including tour supports with Teenage Fanclub and Real Estate, Glasgow’s Spinning Coin have determinedly, and with single-minded purpose, made their music heard: beautifully rough-hewn guitar pop that takes in frustration, escapism, but also gracefulness and splendour, in equal measure.

The five-piece now announce that their debut album Permo will be released on November 10th via The Pastels’ Domino imprint, Geographic Music and have shared the video for new track ‘Sleepless’. 

Recorded with Edwyn Collins at his AED Studios, and at Green Door Studio (the recording centre for the new wave of Glasgow artists) with Stu Evans, Permo is an album of bold steps and simple gestures, coming from a group who have found, seemingly effortlessly, a confident, unpretentious and egalitarian way of working together. Spinning Coin’s two songwriters - Sean Armstrong and Jack Mellin – oscillate taking centre stage on a song; Armstrong’s more melancholic melodies contrasting with Mellin’s urgent refrains.

The fourteen songs on Permo trace all kinds of terrain, though the overarching story might be that of a group looking for escapism, somehow and anyhow, in the midst of a social and cultural climate that’s closing down possibilities for difference and community.

It opens with the gorgeous ‘Raining On Hope Street’, an Armstrong song that was released on 7” earlier this year – there’s an undercurrent to the song, too, as Armstrong reflects that he wanted to write something “slightly spooky, ambiguous and open to interpretation”. ‘Tin’ follows, one of many Mellin songs that looks to the outside world and finds things wanting. “’Tin’ is trying to look at the two extremes of privilege and under-privilege,” he says. It’s a theme that Mellin returns to, with variation, over the course of the album – from the deceptively spry ‘Money Is A Drug’, whose flecks of country-soul charm conceals lyrics calling out ‘class war’ and ‘stupid rules’, through to ‘Powerful’, where Mellin takes on the possibilities of self-empowerment:

Spinning Coin write from lived experience, grounding their songs in an understanding that we’re all finding our way through the world, trying to figure out what the hell is going on out there. Armstrong takes on similar themes with ‘Starry Eyes’, and its blunt lines about how it’s not ‘the right time to celebrate, when people in the world are dying at the hands of the government’, but he also writes some of the album’s more peaceable songs, like the sleepwalking reverie of ’Metronome River’, or the driftwork of ‘Floating With You’.

Elsewhere on Permo, The Pastels’ Katrina Mitchell and Breakfast Muff’s Simone Wilson sing on ‘Be Free’ and ‘Running With The World’ respectively, plus the band have just welcomed new member Rachel Taylor. That’s a typically Spinning Coin development: a group fiercely engaged with community, welcoming new experience into their orbit, and looking for ways to move forwards with a warmth for humanity. It’s writ large across Permo – finding better ways to live, and to be together in the world, against the odds.

Spinning Coin are Sean Armstrong (vocals, guitar), Cal Donnelly (bass), Jack Mellin (vocals, guitar), Rachel Taylor (vocals, keyboards) and Chris White (drums). 

Album tracklisting:

  1. Raining On Hope Street
  2. Tin
  3. Money For Breakfast
  4. Money Is A Drug
  5. Metronome River
  6. Magdalene
  7. Floating With You
  8. Be Free
  9. Sides
  10. Sleepless
  11. Powerful
  12. Starry Eyes
  13. Running With The World
  14. I Feel The Need To Be An Actor

Permo is available to pre order on limited-edition green coloured vinyl, standard vinyl, CD – all of which come with a booklet - and digital. Pre order: Dom Mart / Digital

 

Upcoming live dates

30th September – Tenement Trail @ Nice N Sleazy, Glasgow Tickets

21st October – Simple Things Festival @ The Sportsmans Bar, Bristol Tickets

29th October – Liverpool Music Week @ EBGBS, Liverpool Tickets

30th October – Old Blue Last, London Free

31st October – Heartbreakers, Southampton Tickets

1st November – Clwb Ifor Bach, Cardiff Tickets

2nd November – Picture House Social Club, Sheffield Tickets

3rd November – Think Tank? Underground, Newcastle w/ Girl Ray Tickets

4th November – Wharf Chambers, Leeds Tickets

5th November – Hare and Hounds, Birmingham w/ Girl Ray Tickets

6th November – The Cellar, Oxford w/ Girl Ray Tickets

7th November – The Louisiana, Bristol w/ Girl Ray Tickets

8th November – Green Door Store, Brighton w/ Girl Ray Tickets

9th November – Scala, London w/ Girl Ray Tickets

10th November – The White Hotel, Salford w/The Pastels Tickets

17th November – Mono, Glasgow (album launch) Tickets

10th December – The Art School, Glasgow w/ Dinosaur Jr. Sold out

11th December – The Art School, Glasgow w/ Dinosaur Jr. Tickets

 

SUPERORGANISM SIGN WORLDWIDE DEAL WITH DOMINO, RELEASE NEW SINGLE 'SOMETHING FOR YOUR M.I.N.D.'

Superorganism | 05/09/17

Image: Superorganism press shot

Occasionally, along comes a band that perfectly captures so much of what is exciting about music right now. In 2017, mining the golden moments of pop’s past, sights firmly set on the giddy possibilities of music’s future, emitting an infectious sense of wonky fun and producing a kaleidoscopic riot of sound and visuals, that band could well be Superorganism.

Superorganism is a sprawling, multi-limbed collection of international musicians and pop culture junkies. They number eight in total - recruited from London, Japan, Australia and New Zealand - seven of whom now live together in a house-stroke-DIY studio-stroke-band HQ in Homerton, east London.

It was in this house, in early 2017, that the collective had their musical Big Bang! moment. Though they’d previously created music and visuals together, this was something distinctly fresh. They sent the track to their friend Orono, a Japanese student who at that time was studying at high school in Maine, New England. Orono wrote and recorded a vocal part and pressed ‘reply’. What came back across the Atlantic was an intoxicating piece of idiosyncratic, technicolor pop. That track was ‘Something For Your M.I.N.D.’. Superorganism was born. 

At that point it’s unlikely any of the members would have expected to hear that song - or Superorganism’s debut AA single  ‘It’s All Good’ / ‘Nobody Cares’ - played by Frank Ocean or Vampire Weekend’s Ezra Koenig themselves on their respective radio shows.  Or that the band’s identity would be the subject of so much speculation. Or that they would sign a deal with the legendary independent Domino label. Or that there’d be such demand to see Superorganism live that their debut UK show would take place at London’s 700 capacity Village Underground venue. But over the last few months, such is the trajectory of this unique band that that is exactly what has happened. 

Today, following a huge amount of online chatter ‘Something For Your M.I.N.D.’ finally gets a full single release. The track will be available on all digital services, as well as a limited-edition, one-sided etched 7” with download card. It is their debut release on Domino.

DOWNLOAD or STREAM ‘Something For Your M.I.N.D.’

BUY the ‘Something For Your M.I.N.D.’ 7” 

Speaking about the track, Superorganism’s Orono states:

"SFYM was created purely online. My buddies in London sent me the demo on Facebook, then I wrote the lyrics and recorded the vocals on Garageband via my Macbook microphone in about an hour or two... then it was pretty much done! We just had to add a couple of key missing ingredients to the mix: some sweet backing vocals, a sick artwork, Tucan's magical touch to make the track sound even more dope, and chemical X.

We're more than excited to bring this song to back to life (officially) and to let it, once again, fluoresce on the dark corners of the Internet."

Meanwhile, Superorganism is delighted to announce a run of live dates across the UK, Europe and US. Following a debut live show at Hamburg’s Reeperbahn Festival on 22nd September, they will play their first ever UK show at London’s Village Underground on 5th October. Dates across Europe follow before December sees Superoganism’s debut US shows – at Brooklyn’s House Of Yes on 12th December and Los Angeles’ Moroccan Lounge on 14th December.

Full dates below, with further information here.

22nd Sep            Reeperbahn Festival, Hamburg, Germany

5th Oct               Village Underground, London, UK

14th Oct             Band On The Wall, Manchester, UK

21st Oct             Primavera Club, Madrid, Spain

22nd Oct            Primavera Club, Barcelona, Spain

28th Oct             London Calling, Amsterdam, Netherlands

2nd Nov              Beacons Metro, Leeds, UK (with Jungle)

17th Nov             Sonic Visions Festival, Luxembourg

12th Dec             House Of Yes, Brooklyn NY, USA

14th Dec             The Moroccan Lounge, Los Angeles CA, USA 

 

JOB OPPORTUNITY: UK RADIO PLUGGER

27/07/17

Image: logo domino neon NL

Domino seeks radio plugger

Domino is looking for a new radio plugger to join its in house promo team. The successful applicant will work within Domino’s current radio structure and will have an extensive knowledge of all aspects of UK radio. He or she will need established relationships at radio and a proven track record of working successful releases.

The ideal candidate will be articulate, persuasive, knowledgeable, sociable, a frequent gig goer and music lover.

Minimum 2 years appropriate experience. Salary dependent on experience. 

 

Please send covering letter and CV to vacancy@dominorecordco.com before the 18th of August.

 

TRAILER TRASH TRACYS ANNOUNCE NEW ALBUM ALTHAEA, RELEASED 11TH AUGUST 2017

Trailer Trash Tracys | 12/06/17

Image: TTTs press shot - photo credit Amanda Fordyce

Over the course of their lush, strange album “Althaea”, London duo Trailer Trash Tracys condense a number of disparate styles into music that thrillingly broaches the void between figuration and abstraction. While undeniably beautiful and quite often infectious in parts, this is certainly not pop music by any traditional definition; rather, it appeals to the more intuitive of mind and wild at heart. More than simply becoming a philosophical exercise however, the result is their most ambitious and idiosyncratic body of work to date, one which operates at the very limits of what pop music can be.

Their debut, “Ester”, released in 2012, manifested the band’s approach to making music as a fine balance between chaos and order, laying out a dense and dreamlike ecosystem of Sufi poetry, Solfeggio scales and, floating above it all, Susanne Aztoria’s otherworldly yet emotionally charged vocals. Early singles such as “Strangling Good Guys” and “You Wish You Were Red” proved to be outliers – rather than simply making lo-fi dream pop, the band were instead aiming for something far more subconscious and esoteric. 

With “Althaea”, the band continue their investigations into the farther flung reaches of pop music, with stunning results. Spanning 10 deeply esoteric tracks, “Althaea” sees the band drift further afield from traditional song structures to create a new aural lexicon of their own, one as influenced by Filipino carnival music and Latin rhythms as it was by Japanese tropical music from the 80s. Even at their most outwardly pop – the pristine “Eden Machine” for instance, or the swooning “Kalesa”, there is a baroque splendour, and heightened sensuality. The interplay of light and dark, the foreign and the familiar, brings forth an album with manifold pleasures, one which rewards repeated listening and further exploration.

Watch the video for new single “Eden Machine” below aalongside the trailer for the short film of Althaea - as premiered last week at the Whirled Cinema in Brixton.

“Althaea” tracklisting:

01 Smoked Silver          

02 Eden Machine          

03 Gong Gardens          

04 Siebenkäs                 

05 Money For Moondogs  

06 Betty's Cavatina        

07 Casadora  

08 Singdrome                

09 Kalesa                      

10 100 Aspects Of The Moon  

Pre order: Domino Mart: http://smarturl.it/AlthaeaDM Digital Pre-Order: http://smarturl.it/AlthaeaDL 

UPCOMING LIVE DATES

MON   18-Sep-17     UK      MANCHESTER        SOUP KITCHEN

TUE    19-Sep-17     UK      GLASGOW    HUG & PINT

WED   20-Sep-17     UK      NEWCASTLE           THINK TANK

THU    21-Sep-17     UK      LEEDS           BRUDENELL GAMES ROOM

FRI      22-Sep-17     UK      BIRMINGHAM          ACTRESS & BISHOP

SAT    23-Sep-17     UK      BRIGHTON   THE HOPE

SUN   24-Sep-17     UK      BRISTOL       LOUISIANA              

TUE    26-Sep-17     FR       PARIS            POINT EPHEMERE           

SUN   01-Oct-17      NETHERLANDS      ROTTERDAM           V11

MON   02-Oct-17      NETHERLANDS      AMSTERDAM          U/S MELKWEG

TUE    03-Oct-17      BELGIUM      ANTWERP    TRIX BAR

WED   04-Oct-17      GERMANY    COLOGNE    BLUE SHELL

THU    05-Oct-17      GERMANY    HAMBURG   NOCHTWACHE

FRI      06-Oct-17      DENMARK    DENMARK    IDEAL BAR

SAT    07-Oct-17      GERMANY    BERLIN         AUSTER CLUB                   

MON   09-Oct-17      GERMANY    MUNICH        MILLA

TUE    10-Oct-17      AUSTRIA       VIENNA         CHELSEA

WED   18-Oct-17      UK      LONDON       CAMDEN ASSEMBLY

FRI      27-Oct-17      ITALY ROME            MONK

SAT    28-Oct-17      ITALY BOLOGNA    COVO

 

BRIGHT PHOEBUS – SONGS BY LAL AND MIKE WATERSON REMASTERED AND REISSUED BY DOMINO

Lal & Mike Waterson | 31/05/17

Image: Bright Pheobus press shot

Bright Phoebus, Lal and Mike Waterson’s 1972 folk-noir masterpiece, has long been recognised as one of British music's legendary lost records. Following the parting of ways of The Watersons and freed from the strictures of folk orthodoxy, Lal and Mike Waterson’s love of words allowed them to serve the needs of their songs in ways that weren’t possible when singing already written songs.

Featuring performances from Lal, Mike and Norma Waterson, Martin Carthy, Richard Thompson, Ashley Hutchings, Dave Mattacks, Tim Hart and Maddy Prior, amongst others, the album is now recognised as a forward-thinking benchmark for the genre. Fans include Arcade Fire, Stephen Malkmus, Billy Bragg, Jarvis Cocker, Richard Hawley – the latter two performed the record themselves in 2013 on the Bright Phoebus Revisited tour.

Domino are pleased to reissue Bright Phoebus – Songs By Lal And Mike Waterson on 4th August, this will be the first time since its release the album will be widely available. Additionally under the supervision of David Suff (Topic/Fledg'ling) and Marry Waterson (daughter of Lal), the album has been remastered from the original tapes.  

Alongside the reissue of the original album, there will be a deluxe version containing 12 demos for the album, themselves tinged with their own mythology and previously unreleased. The standard single-disc CD and LP editions replicate the original artwork with lyrics; the deluxe editions of both are double-disc and contain sleeve notes by Pete Paphides.

Pre-order: Dom Mart / Digital

The origins of Bright Phoebus started in 1971, only a few years after the split of The Watersons whose three albums had a profound effect on the folk world. Following the split, and independently of each other, Mike and Lal had started writing their own songs; after Lal moved back to Hull; they started to cultivate these ideas together.

Not long after, Martin Carthy was visiting for a show, "We did Hull Art School or something, and then the next morning we went round to visit Lal, and she had all these songs. We sat there listening to them and… now, I knew Lal wrote songs but I had never heard any of them prior to this point. It was extraordinary.” Convinced that these songs needed to be heard by the wider world, Martin alerted Steeleye Span bandmate and former Fairport Convention bassist Ashley Hutchings to their existence. “I was instantly in tune with what I heard,” remembered Ashley, “I found an empathy with the songs, and I really would have fought off anyone to play bass on them.

Ashley got to work; he contacted Bill Leader and set the whole thing up, along with Richard Thompson and Martin Carthy. All Lal and Mike Waterson had to do was allow themselves to be swept along by the collective will of everyone who had either heard or heard about their songs. And when, at the very end of 1971, it emerged that a homesick Norma Waterson would be returning to join them, the heavens looked to be aligning as never before.

Recorded in a week in the basement of Cecil Sharp House, Mike recalled Lal and I dreamed our way through the recordings. It was magic.” Marry, who was eight at the time, remembered her father George describing the sessions as “a great big party”, people just wandered in. Tim Hart and Maddy Prior are on a few tracks because they happened to walk through the door, so they were lassoed in to do some vocals. One poor sod came in to deliver a package and we said, ‘Right! You’re in! And we stuck some words in front of him and put him in the chorus! He sang away, thank you very much, and then he left!’”

Despite the anticipation for a new ‘Watersons’ record, the release of Bright Phoebus was viewed with suspicion from the conservative folk community and shortly after, Bill Leader’s company went bankrupt and the initial pressing of 2000 LPS soon fell out of print. Since then, the album has become legend, its scarcity not hindering generations of music fans falling for its beguiling atmosphere. Sadly Lal – who passed away from lung cancer in 1998 - never got to see Bright Phoebus receive a full re-evaluation. Mike Waterson did, at least, get to enjoy some of backdated acclaim before his death in 2011. But he remained dogged in his belief that none of that mattered. “You do what you do,” he insisted. “And nothing is right to them, and everything’s right to you. Who are you making the record for? *You.* If fans like your record, then wonderful. If they don’t, well you’ve made it anyway. Because you love the songs.”

 

Tracklisting:

  1. Rubber Band
  2. The Scarecrow
  3. Fine Horseman
  4. Winifer Odd
  5. Danny Rose
  6. Child Among The Weeds
  7. Magical Man
  8. Never The Same
  9. To Make You Stay
  10. Shady Lady
  11. Red Wine Promises
  12. Bright Phoebus

Disc 2 – The 1971 Demos

  1. Danny Rose                                                                          
  2. Fine Horseman                                                                  
  3. Winifer Odd                                                                        
  4. Child Among The Weeds                                            
  5. Magical Man                                                                        
  6. Bright Phoebus                                                                 
  7. Red Wine Promises                                                       
  8. Song For Thirza                                                                  
  9. The Scarecrow                                                                  
  10. Never The Same                                                           
  11. One Of Those Days                                                       
  12. Jack Frost                                                                           

 

http://brightphoeb.us

 

THE KILLS ANNOUNCE ECHO HOME - NON-ELECTRIC EP IN CELEBRATION OF 15TH ANNIVERSARY

The Kills | 24/05/17

Image: Desperado still

_

The Kills – Alison Mosshart and Jamie Hince – will release the Echo Home – Non-Electric EP digitally on June 2nd, with a limited edition 10” vinyl release available for pre-order today.

Both the physical and digital versions of the Echo Home – Non-Electric EP will feature audio from a stripped down session the band captured recently at Electric Lady Studios in New York. Alongside “Echo Home”, the EP features Ash & Ice track “That Love”, a cover of Rihanna’s “Desperado” (which the band originally played as part of a Sirius XMU session), and the song “Wait”, off the band’s first ever release, Black Rooster EP, which celebrates it’s 15 year anniversary on May 28th.

The Black Rooster EP was originally released on Dim Mak in 2002 and was the start of what’s been an incredible career for Alison Mosshart and Jamie Hince of The Kills.

With five full-length albums (the most recent being 2016’s Ash & Ice), four EPs, a documentary, and countless live shows under their belt, the passion and fire they continue to bring to every recording and performance is extraordinary.

In their 15th year as a band, The Kills have been looking back and celebrating with a string of anniversary shows and retrospective features, and now this re-recording of “Wait”, one of the first Kills songs ever released. Steve Aoki, owner of Dim Mak and another artist who has proven a career with similar staying power, recently had some words to share on the release of Black Rooster:

"Many moons ago, back in 2002, I had to make a decision whether to pursue a Ph.D. Program or continue with my label Dim Mak & after hearing a demo from The Kills and becoming the first American label to release their EP Black Rooster, I knew what path I was going to choose. They took me under their wing and I hit the road with them as their tour manager, merch guy, driver (we all took turns) and label. I’ll never forget that and love Jamie and Alison forever. Thank you for believing in lil me when not many people gave two shits about Dim Mak and what we were doing. Ride or Die.” – STEVE AOKI

Pre-order the Echo Home 10” HERE.

The Kills 2017 Tour Dates:

05/27 Liverpool, UK - Liverpool Sound City
05/28 Margate, UK - Margate Wonderland
05/30 London, UK - Shepherds Bush Empire
06/02 Saint-Brieuc, France - Art Rock Festival
06/03 Saint-Laurent-De-Cuves, France - Papillons De Nuit Festival
06/06 Prague, Czech Republic - Roxy
06/07 Liepzig, Germany - Taubchenthal
06/09 Copenhagen, Denmark - Vega
06/10 Aarhus, Denmark - Northside Festival
06/13 Munich, Germany - Olympic Stadium *
06/16 London, UK - London Stadium *
06/17 London, UK - London Stadium *
06/24 Athens, Greece - Ejekt Festival
06/19 Helsinki, Finland - Rock The Beach #
06/21 Riga, Latvia - Lucavsala Island #
06/29 Gydnia, Poland - Open’er
07/02 Werchter, Belgium - Rock Werchter
07/07 Lisbon, Portugal - Nos Alive
07/10 Montreaux, Switzerland - Montreaux Jazz Festival
07/12 Dour, Belgium - Dour Festival
07/16 Berlin, Germany - Melt Festival
08/12 Bucharest, Romania - Summer Well Festival
08/15 Budapest, Hungary - Sziget Festival
08/17 Gampel, Switzerland - Open Air Gampel
08/19 Zagreb, Croatia - Tvornica Kulture
08/25 Charleville Mezières, France - Cabaret Vert
08/26 Paris, France - Rock En Seine
09/19 Porto Alegre, Brazil - Anfiteatro Parque (Outdoor) %
09/21 Rio, Brazil - Rock In Rio
09/23 Sao Paulo, Brazil - Allianz Parque %

* = with Guns ‘N’ Roses
# = with Foo Fighters
% = with Bon Jovi 

 

PETER PERRETT ANNOUNCES DEBUT SOLO ALBUM HOW THE WEST WAS WON

Peter Perrett | 12/04/17

Image: Peter P announce shot

Peter Perrett - former frontman of The Only Ones - releases his debut solo album How The West Was Won on June 30th through Domino.

Perrett, whose incisive songcraft and sardonic drawl made him one of the most distinctive voices of the Seventies hasn’t released any music for 20 years. Bearing in mind his most famous song began “I always flirt with death” (‘Another Girl, Another Planet’), this is one comeback that nobody saw coming.

In the hands of certain songwriters, a story of resurrection and redemption might ring a little hollow, but when the songwriter is Peter Perrett, the usual rules have never applied.

Perrett makes each song on How The West Was Won sound natural and effortless, as though he were continuing a briefly interrupted conversation rather than picking up the threads of a solo career that faltered two decades ago. He claims to have barely touched a guitar in the decade between The One’s 1996 album Woke Up Sticky and the 2007 reunion of The Only Ones; with Perrett, a hiatus could so easily turn into a hibernation. Yet Perrett’s familiar voice sounds like it simply stepped out of the room for a few minutes and popped back in again.

Backed by his sons - Jamie and Peter Jr. on lead guitar and bass respectively - and produced by Chris Kimsey (The Rolling Stones), Peter’s intuitive feel for words; his flair for idiosyncratic metaphors and his deadpan wit are all still as sharp as ever.

As demonstrated perfectly by the title track and album opener which Perrett shares today. It finds him railing against American imperialism and celebrity culture. The video is directed by Focus Creeps (Arctic Monkeys/King Krule) and features Peter’s band with whom he recorded the album

The songs on How The West Was Won examine complex emotional terrain and extreme human behaviour, shot through as always with wry self-analysis. In a sense the album is a Perrett family affair: there are love songs (‘An Epic Story’, ‘C Voyeurger’) from Peter to his wife of 47 years Zena. On ‘Something In My Brain’, Perrett discusses good choices, bad choices and ultimately the only choices that will guarantee survival. There are also songs where Perrett opens his curtains and stares out into a much-changed world (‘Man Of Extremes’, ‘Sweet Endeavour’).

How The West Was Won finds Perrett with energy in his blood, rediscovering the importance of rock’n’roll. Having turned 65 over the weekend, he has a fire burning inside him again, and a determination not to blow what could be his last chance. 

Tracklisting:

  1. How The West Was Won
  2. An Epic Story
  3. Hard To Say No
  4. Troika
  5. Living In My Head
  6. Man Of Extremes
  7. Sweet Endeavour
  8. C Voyeurger
  9. Something In My Brain
  10. Take Me Home

How The West Was Won is available to pre-order on deluxe LP (coloured vinyl, gatefold sleeve, booklet and black polylined sleeve), standard vinyl (gatefold sleeve, booklet and black polylined sleeve), CD (gatefold wallet sleeve, booklet) and digital.

Additionally, the Dom Mart edition of the deluxe LP features a signed print – limited to 250 copies.

Pre order: Dom Mart / Download

Peter Perrett Online:

Website | Facebook | Twitter

 

ROYAL TRUX RELEASE NEW LIVE ALBUM PLATINUM TIPS + ICE CREAM ON JUNE 16TH

16/03/17

Image: Royal Trux live photo

Platinum Tips + Ice Cream (scenes from the water park) is new from Royal Trux. The songs were written over a span of time as wide as eagle’s wings - but the recordings are new, live, unrehearsed and were presented in real time to a few thousand people in California and NYC. Performance art? Yes! But only because, unlike so many other aural “content providers,” Neil Hagerty and Jennifer Herrema are true artists writing their own futures into the present. This was, and will always be, Royal Trux.

This new/“live”/old song/new performance album is yet another chapter in one of the best books out there. Release #647, corresponding to the Cali penal code stating that Prostitution is against the law. Just a reminder so that they didn’t forget. 

It’s been a minute since Royal Trux went about making a record in 1-2 days, but they got that system on lock, and once again we see them setting parameters and adhering to them for maxx impact. Platinum Tips + Ice Cream was made in two days…one in Cali and one in NYC. The hold up came when listening back to the “live” qualities, which had been compromised the “AI” of modern, presumptuous (read: “spellcheck”) sound gear.  Going back to undo the “smart changes” was tedious, yet imperative - bringing the actual experience and qualities of the performance, the rawness that could be felt and heard LIVE, to a finished form. These recordings conjure the early feral spirit of the band devouring the sophisticated sound of the later years and coughing up a motherfucking hairball of sound.

Royal Trux has always played with the idea of “expectation” like it was a new toy at Christmas, and year in and year out wiped it out like the face of an old teddy bear. For them, a touchdown was best achieved in reverse, via counter-intelligent means. It is fucking INSANE to hear how much that is still the case. This isn’t a butterfly mounted in amber; this is the sound of life….people getting through their set by any means necessary. Thoughts are flying in a million different directions, but staying with the plan is the number one rule. As the rhythm punches, the scabrous tone of Jennifer’s vox is matched only by Neil’s harsh, stinging guitar volleys – and the mad filters passing through the Bass Station. A personal playlist of hits rolls out – and not all rockers, but some slower jams and moments of deep heavy. But no “Back to School”?!? Well, that’s why there are more Trux shows coming up. And like they say, every night is gonna be a great night.

Wrapped up in a Truxian collage scrapping together the crazy quilt of time in their Royal-iverse, which in the light of this reunion is now folding back over itself, Plantinum Tips + Ice Cream collects 12 Royal Trux non-sequiturs in tribute not only to the past but the unending nature of the future.

Platinum Tips + Ice Cream is available on heavyweight LP (WIGLP404), CD (WIGCD404) and digitally (WIG404D).  

Tracklisting is as follows:

01. Junkie Nurse

02. Sewers Of Mars

03. Red Tiger

04. Sometimes

05. Mercury

06. Esso Dame

07. Deafer Than Blind

08. Waterpark

09. Platinum Tips

10. The Banana Question

11. Blue Is The Frequency

12. Ice Cream

Royal Trux will be playing the following live dates:

Thursday, March 16th, 2017 in Austin Texas at Hotel Vegas

Friday, March 17th, 2017 in Austin Texas at Hotel Vegas

Saturday, May 13th, 2017 in Detroit, Michigan at El Club

Sunday, May 28, 2017 in Manchester, United Kingdom at Victoria Warehouse

Monday, May 29, 2017 in Glasgow, United Kingdom at The Art School

Tuesday, May 30, 2017 in Bristol, United Kingdom at Marble Factory

Wednesday, May 31, 2017 in Brighton, United Kingdom at Concorde 2

Thursday, June 01, 2017 in London, United Kingdom at Electric Ballroom

Saturday, June 03, 2017 in Barcelona, Spain at Primavera Sound Festival

Friday, June 09, 2017 in Porto, Portugal at NOS Primavera

Sunday, June 11, 2017 in Nimes, France at This Is Not A Love Song Festival 

 

BONNIE 'PRINCE' BILLY TO RELEASE NEW ALBUM BEST TROUBADOR ON 5TH MAY

Bonnie 'Prince' Billy | 08/03/17

Image: Photo credit Jessica Fey

With Best Troubador, Bonnie 'Prince Billy pays homage to a long-time and forever hero, the late Merle Haggard. A singer who, some 25 years previously, first performed in public by playing a Merle Haggard song, Bonny has often cited Merle's work in performance, on records and in conversation with anyone who was around, even talking to Merle himself for Filter magazine in 2009.

Merle's body of work was considered by Bonny for a record such as this for some time, but his passing in April of 2016 almost put a stop to it. The goal was to participate in the handing forward of the songs of a living legend, as Merle had done so many times in his own career. Writing for Juan and Only in 2012, Bonnie put it this way:

"Merle Haggard is a channeler who has paid ample tribute to those that came before him. He has demonstrated explicitly and implicitly his standing on the shoulders of Tommy Duncan/Bob Wills, Jimmie Rodgers, Floyd Tillman, Lefty Frizzell and many others. There are songs in his catalogue that seep solidly into the headspace of Kentuckians who grew up when I did, and beyond through his vast influence on the George Straits, Dwight Yoakams, Alan Jacksons, John Andersons, Toby Keiths, and too many others. He is not the original, but he may be the most significant junction."

With Merle gone, some of the impetus of the project was in peril. A plan to make the album in Nashville studios was abandoned. The songs still called to be played again, however - and so sessions were endeavored at home, capturing feeling, memory and new expression in familiar confines with the full-hearted playing and singing of the Bonafide United Musicians: Van Campbell, Nuala Kennedy, Danny Kiley, Drew Miller, Cheyenne Mize and Chris Rodahoffer, with special guests Mary Feiock, Emmett Kelly, A.J. Roach and Matt Sweeney. 

The songs sung on Best Troubador are pulled from all over - from Haggard's 3rd album in 1967 through to his 47th in 2011 - but this is no simple hits compilation. Capable only of occupying a

shared space between himself and Merle Haggard, Bonny chose personal favorites, singing the songs he wanted to sing, to find Merle and himself together in the music. Only two of Hag's thirty-eight (!) country number ones are included, and only two others that charted at all. Seven of the sixteen songs are from his later period, after his long run at the top of the country charts had ended, but before encroaching mortality could finally cease the singular and indefatigable creativity of Merle Haggard.

Best Troubador flips through his song book, landing on pages unmoored from their time and located anew. Moving from 1978 to 1969 to 2003 to 1981 allows the album to circle Haggard's music in a simulation of thought and memory, slipping around from spot to spot as if they were discrete impressions, unknown but knowable yet. Dedicated to new life and old, Best Troubador is wistful and bittersweet and no lament at all but a tribute instead, for the triumph of a life spent in unending pursuit of the goal: new and expressive music, as our inspirations and heroes once sang it.

Excited about Best Troubador and just can't wait until May? Well, boy, do we have a surprise for you! Bonnie 'Prince' Billy is joined by frequent collaborator Oscar Parsons in a virtual reality video for Merle Haggard's classic "Mama Tried’. Presented in glorious 360 degrees of virtual reality, watch Bonnie 'Prince' Billy ride the wave of the future! Headset viewing is exclusive to the Vimeo app on your smartphone!  However, monoscopic 360° playback (without a headset) can occur on the Vimeo site or embedded for desktop browsers and android mobile browsers HERE.

 

LISTEN TO REAL ESTATE'S "STAINED GLASS"; NEW ALBUM 'IN MIND' OUT NEXT WEEK!

Real Estate | 07/03/17

Image: Real Estate Stained Glass thumbnail

Real Estate have shared “Stained Glass,” their second track from the forthcoming In Mind out March 17. Last week the band posted a silent clip of the video featuring guitar tabs and keyboard parts, encouraging fans to create their own instrumental interpretations of the song before it became available to the public. Today, they’re pleased to share the full version of “Stained Glass” along with the original tutorial video. This is the second tutorial video release for Real Estate, following up on the fan favorite tutorial for “Crime” from their 2014 release Atlas.

Frontman Martin Courtney also recently sat down with NPR Music's Bob Boilen for a standalone episode of All Songs Considered, discussing everything from the new album's Abbey Road influences, the origin of "Darling," to his recent fatherhood. Listen here

Real Estate kick off an extensive North American headline tour next month. They've also added a second Brooklyn Steel show by popular demand and will make stops at SXSW and Coachella. Full dates below. More SXSW events to be announced soon.

In Mind is available on CD, LP and digitally. An exclusive limited edition deluxe LP (very few copies left!) featuring heavyweight colored vinyl, gold foil imprinted packaging (pictured below), and a slipmat, is available to pre-order from Domino Mart. All pre-orders from Domino Mart and iTunes pre-orders will come with an instant download of “Darling” & “Stained Glass.”

Real Estate tour dates

03-15 Austin, TX - SXSW KUTX Live at the Four Seasons (10am)
03-15 Austin, TX - SXSW KCRW Radio Day Stage Convention Center (4pm)
03-16 Austin, TX - SXSW Waterloo Records (2pm)
03-16 Austin, TX - SXSW Showtime/Twin Peaks at Clive Bar (11pm)
04-01 Santo Domingo, DR - Isle of Light Festival
04-05 Birmingham, AL - Saturn +
04-06 New Orleans, LA - Republic +
04-07 Austin, TX - Mohawk +
04-08 Dallas, TX - South Side Music Hall +
04-10 Kansas City, MO - recordBar +
04-12 Denver, CO - Gothic Theater +
04-13 Salt Lake City, UT - Urban Lounge +
04-16 Indio, CA - Coachella 
04-18 Vancouver, BC - Rickshaw Theatre $
04-19 Seattle, WA - Showbox $
04-20 Portland, OR - Wonder Ballroom $
04-23 Indio, CA - Coachella
05-05 Boston, MA - Royale *
05-06 Winooski, VT - Waking Windows
05-07 Portland, ME - Port City Music Hall *
05-09 Toronto, ON - Danforth Music Hall *
05-10 Detroit, MI - Majestic Theatre *
05-12 Chicago, IL - Vic Theatre *
05-13 Nashville, TN - Exit/In *
05-15 Raleigh, NC - Lincoln Theatre *
05-16 Washington, DC - 9:30 Club *
05-17 Brooklyn, NY - Brooklyn Steel * [SOLD OUT]
05-19 Philadelphia, PA - Union Transfer *
05-21 Brooklyn, NY - Brooklyn Steel * 
06-13 London, UK - Roundhouse
06-14 Paris, FR - Cafe de Le Danse
06-15 Brussels, BE - Orangerie
06-18 Berlin, DE - Lido
06-19 Hamburg, DE - Molotov
06-20 Copenhagen, DK - Pumpehuset
06-21 Stockholm, SE - Debaser
06-27 Cambridge, UK - The Junction 1
06-28 Manchester, UK - O2 Ritz
06-30 Barcelona, ES - Vida Festival
07-14 to 07-16 Louisville, KY - Forecastle Festival

+ with Mary Lattimore
$ with Tim Cohen and Iji
* with Frankie Cosmos

 

ALEX G ANNOUNCES NEW ALBUM “ROCKET” OUT MAY 19

(Sandy) Alex G | 02/03/17

Image: Rocket

Alex G is pleased to announce his new album, Rocket, is set for a May 19th, 2017 release.

Rocket is the Philadelphia-based artist’s eighth full-length release—an assured statement that follows a slate of humble masterpieces, many of them self-recorded and self-released, stretching from 2010’s RACE to his 2015 Domino debut, Beach Music. Rocket’s sessions began shortly after Beach Music’s ended, with Alex tracking songs at home, by himself and with friends, in the gaps between a hectic 2015 and 2016 touring schedule. Rocket was mixed by Jacob Portrait (Unknown Mortal Orchestra, Bass Drum of Death), who also lent his hand to Beach Music, giving the album a fine-tuning that retains the homespun personality of earlier efforts.

Alex G will be playing a special album release show in Brooklyn, New York, on Thursday May 18th. The show will be at The Park Church Co-Op, and tickets go on sale this Friday here.  Also announcing today is an all-ages hometown Rocket show on July 8th at Union Transfer in Philadelphia, PA. Tickets go on sale this Friday here. Both shows will feature special guests.

Stay tuned for more tour dates to be announced soon.

Watch the music video for "Bobby" and listen to "Witch" below.

 

Rocket Tracklisting

  1. Poison Root
  2. County
  3. Bobby
  4. Witch
  5. Horse
  6. Brick
  7. Sportstar
  8. Judge
  9. Rocket
  10. Powerful Man
  11. Alina
  12. Big Fish
  13. Guilty 

Rocket is available to pre-order now on ltd. red translucent vinyl, ltd. red translucent cassette (Domino Mart exclusive), ltd. random colorway cassette (Bandcamp exclusive), CD, and digital download.

Alex G photo by Tonje Thilesen.

 

ANNA CALVI SOUNDTRACKS BURBERRY’S 2017 COLLECTION, LIVE AT MAKER’S HOUSE, LONDON

Anna Calvi | 22/02/17

Image: Anna Calvi Burberry EP

Burberry premiered its February 2017 collection for men and women, at its Makers House show venue in London on Monday night.  Anna Calvi performed the show’s live soundtrack from a balcony overlooking the runway, accompanied by her band and members of the Heritage Orchestra & Choir. Her set list included her new track ‘Whip The Night’ and a cover of Christine & The Queen’s ‘iT’ and is available to purchase on iTunes and can be streamed HERE.

The ‘Live For Burberry’ EP features a number of special previously unheard tracks and reworkings of some familiar Anna Calvi originals.  Receiving its worldwide premiere at last night’s show, ‘Whip The Night’ was created by Anna for the illustrious Robert Wilson’s forthcoming theatrical production ‘The Sandman’, starting this May in Dusseldorf.  ‘Nathaniel’ shows off Anna’s guitar prowess and was written specifically for Burberry and ‘iT’ is a cover of Christine And The Queens’ glorious original (performed in front of front row attendee Heliose Letissier, filmed joining in HERE).

The tracklisting for the EP is as follows:

1. Whip The Night (Live For Burberry)    

2. Nathaniel (Live For Burberry) 

3. iT (Live For Burberry)

4. Eliza (Live For Burberry)        

5. Desire (Live For Burberry)     

 

FLYING SAUCER ATTACK TO RE-ISSUE SELF-TITLED DEBUT ALBUM, MIRROR AND NEW LANDS

16/02/17

Image: FSA

When West Country feedback merchant Dave Pearce resurfaced in 2015 with his first new music in more than a decade, it provided the ideal opportunity to introduce his out-of-print back catalogue to a whole new audience. Following the excitement generated by the re-release of FurtherChorus and Distance last year, Domino are reissuing three more of his peerless early works – the self-titled debut, New Lands and Mirror – available on the 14th of April, 2017.

Flying Saucer Attack’s self-titled debut album, released in 1993, was commonly known as ‘Rural Psychedelia’ – an apt description for the rough-hewn soundscapes they crafted. These bedroom recordings made a virtue of the otherworldly, hissy mechanics of four-track cassette-to-vinyl duplication. Pearce realised that you didn’t need to layer 16 guitar tracks in an expensive studio to make a big noise. Recording directly on to a four-track resulted in a thick, distorted, abrasive sound that suited his needs perfectly.

New Lands, released in 1997, was album proper No 3, described by Pearce as “phase two” of the FSA project. It found Pearce operating alone and finally realising the guitar sound that had been in his head all along. “Something like AR Kane’s god-like Up Home!,” he revealed in an interview at the time. It was a stark and often challenging listen (Pearce stated in one interview that it was originally going to be called Fuck You!), yet utterly beguiling.

Mirror would turn out to be Pearce’s final offering as FSA for 15 years, but at the time of its release in 2000 it felt like the start of something exciting and new – it was seen in some quarters as one of the first great records of the millennium. Sonically, it was Pearce’s most accessible and melodic album. “His sombre, acoustic folk still recalls the gentle melancholy of Nick Drake,” said the Pitchfork review, “but for the first time, the melodies and lyrics can be clearly deciphered.” 

This move into thrilling new sonic territories should have pointed the way forward for Pearce – instead, until his surprising comeback, it was a full stop on a brilliant and idiosyncratic career. 

Listen to ‘My Dreaming Hill’ from FSA HERE

Listen to ‘Rivers’ from Mirror HERE

Listen to ‘Present ‘ from New Lands HERE

This is the first time that FSA and Mirror have been released by Domino. FSA vinyl will be available in a board mounted ‘tip on’ gatefold sleeve.  The artwork for Mirror is replicated from the original Flying Saucer Attack edition.  The albums will all be available on heavyweight vinyl (with download cards), CD & digital formats.

Pre-order/listen to Flying Saucer Attack via Dom Mart / iTunes / stream

Pre-order/listen to Mirror via Dom Mart / iTunes / stream

Pre-order/listen to New Lands via Dom Mart / iTunes / stream

 

ANIMAL COLLECTIVE ANNOUNCE "THE PAINTERS EP"; WATCH THE "KINDA BONKERS" LYRIC VIDEO

Animal Collective | 13/02/17

Image: Animal Collective Kinda Bonkers thumbnail

Animal Collective announce The Painters EP, a new companion release to last year’s album Painting With. The EP will be available digitally this Friday, February 17, almost a year to the date of their 10th studio album’s release. Pre-order the CD and 12” exclusively from Animal Collective’s store.

The EP contains three new and original tracks recorded during the Painting With era, and also includes a studio recording of “Jimmy Mack” (made famous by Martha & The Vandellas), a cover performed on their recent tours. Watch a lyric video for the opening track "Kinda Bonkers" below.

All pre-orders receive an instant download of “Kinda Bonkers” and a download of the EP this Friday, February 17. The EP features artwork by Brian DeGraw, as pictured below, who supplied the original portraits and artwork for Painting With.

The band return to the US & Canada in May 2017 for headlining live dates including a show at the new venue Brooklyn Steel in Brooklyn, NY. This follows on a recent winter tour of Florida and an Animal Collective-curated three day camping festival in Big Sur, CA this past autumn. Find all the dates below.


Animal Collective's The Painters EP pictured above in 12" and CD formats.


The Painters EP tracklisting:
1. Kinda Bonkers
2. Peacemaker
3. Goalkeeper
4. Jimmy Mack

Animal Collective tour dates:
05-17 Charleston, SC - Music Farm *
05-18 Knoxville, TN - The Mill & Mine *
05-20 Charlottesville, VA - Jefferson Theatre *
05-22 Washington DC - 9:30 Club *
05-23 Brooklyn, NY - Brooklyn Steel *
05-24 Northampton, MA - Calvin Theatre *
05-26 New Haven, CT - College Street Music Hall *
05-27 Montreal, QC - Corona Theatre *
05-28 Toronto, ON - Danforth Music Hall *
* with Circuit des Yeux

 

LITTLE CUB TO RELEASE DEBUT ALBUM 'STILL LIFE' APRIL 28TH

Little Cub | 10/02/17

Image: LC press photo - credit Holly Whitaker

South London trio Little Cub will release their debut album Still Life on 28th April on Domino. Marrying a wry, worldly and subversive form of diarist lyricism with sumptuously evocative electronic production, Still Life announces the arrival of a band at once deeply in tune with the greatest traditions of progressive, homespun British pop music and at odds with the increasingly vacuous pop culture they are born into.

Following the release of its first tracks ‘Loveless’ and ‘My Nature’, the band have shared the album’s opening track and first official single, ‘Too Much Love’. Watch the video for the new single, directed by Lily-Rose Thomas, below.

“’Too Much Love’ is a song about about cynicism. For the video, we took a bunch of our experiences and experiences of our friends and reset them into a sort of modern day morality tale based around where we live. Except, there is no moral really,” quotes vocalist Dominic Gore. “The decisions, good or bad, all live in the grey area where I think most of us reside. Like a Groundhog Day where no lessons are learnt and nothing really changes.”

Little Cub is Dominic Gore, Duncan Tootill and Adrian Acolatse. Whilst now residing and writing in Peckham, their story begins in the banker-belt ennui of Dorking, Surrey, the sort of faceless suburban hinterland that J.G. Ballard was obsessed with. It was in this less than illustrious setting that Gore and Tootill first met by chance. The two hit it off over a shared love of James Murphy's seminal DFA Records, early Aphex Twin and New Order and before long began meeting up to share ideas for original songs alongside Ady Acolatse, whom Gore had met on a night out in the blare and glare of Fabric nightclub the previous summer.

What emerged from the bonding of the trio’s mutual ethos’ is the warm, dynamic, modular sound of Still Life, with elements of house, techno and ambient reflective of the group's evolving taste coalescing with fruits of a shared jazz background and indie sensibility to provide the perfect landscape for Gore's tight, almost hymn-like verses on the trials and tribulations of 21st century living.

Still Life was produced by Little Cub and mixed by the band, Oli Bayston (Boxed In) and Alexis Smith. It will be released on limited deluxe 12” gold vinyl, including album download card plus seven bonus remixes by the band, via Domino Mart, CD and digitally. 

The band will celebrate the release of Still Life with a London headline date at The Lexington on Tuesday 9th May. Tickets are on sale now via the link HERE.

--- 

Pre-order Still Life on deluxe 12” vinyl via Domino Mart HERE

Pre-order Still Life on CD via Domino Mart HERE

Pre-order Still Life digitally HERE

 

YORKSTON/THORNE/KHAN RELEASE THEIR NEW ALBUM NEUK WIGHT DELHI ALL-STARS ON 7TH APRIL

Yorkston/Thorne/Khan | 08/02/17

Image: YTK New Delhi press shot

Yorkston/Thorne/Khan release their new album Neuk Wight Delhi All-Stars on 7th April.  It follows the band’s debut album, 2016’s critically acclaimed Everything Sacred, and presents a confluence of currents, among them the north Indian sarangi; jazz-tinged bass, reminiscent in places of Danny Thompson; acoustic guitar that owes a debt to Elizabeth Cotton, Dick Gaughan and Mississippi John Hurt; and three very different vocalists - James Yorkston (East Neuk of Fife), Jon Thorne (Isle of Wight) and Suhail Yusuf Khan (New Delhi).

The first track to be shared from Neuk Wight Delhi All-Stars is ‘False True Piya’ – mingling traditions as diverse as Britain and India via the Appalachian Mountains.

“Piya is a word in the Hindi language, meaning beloved,” explains Khan. “The Hindi lyrics of the song were composed and written by me. They talk about a lover who is longing for a beloved, devastated by pain. A point comes when the lover starts hallucinating that the beloved has arrived and starts having conversations with this hallucination. There is a strange feeling of dark happiness: the beloved is there, but only as a hallucination.” “When Suhail explained the Hindi lyric to me,” Yorkston continues, “it reminded me of the great old song The Daemon Lover, also known as The House Carpenter, so I sang a fragment of Annie Watson’s version to introduce the piece.”

This harmonious and singular collaboration can be found across all of Neuk Wight Delhi All-Stars, and in fact, YTK’s Everything Sacred may be the only precedent. “The combination of a singer-songwriter, a jazz bassist and an Indian classical sarangi player is totally unheard off,” says Khan.

A collection of traditional Indian and UK folk songs, beautiful originals and idiosyncratic covers, Neuk Wight Delhi All-Stars does not only bring together Indian classical music and jazz, then, but kosmische too; Yorkston also cites dub reggae, Uilleann pipes and the Madagascan guitarist D’Gary as influences. That breadth, says Thorne, is critical: “I think YTK is a fine example of how music operates without boundaries as a common international language and a source of cross-cultural unity. It’s an important message in the times that we live in.”

Produced by YTK and recorded entirely onto 24 track 2” tape at Analogue Cat studios in Northern Ireland by Julie McLarnon, Neuk Wight Delhi All-Stars comes after a period of steady touring for the band (including incredible main stage performances at Green Man, Celtic Connections and Edinburgh International Festival, and tours in India, Spain and Ireland) and reflects the confidence and increasingly fluid interplay between Yorkston, Thorne and Khan. The trio will head back on the road in April for a headline UK tour. 

Yorkston/Thorne/Khan live dates

27th March – Kitchen Garden Café, Birmingham TICKETS

30th March – Dreel Halls, Anstruther TICKETS AVAILABLE ON DOOR

31st March – Oran Mor, Glasgow TICKETS

1st April – Adam Smith Theatre, Kirkcaldy TICKETS

3rd April – Junction 2, Cambridge TICKETS

4th April – St. John on Bethnal Green, London TICKETS

5th April – Komedia, Bath TICKETS

6th April – The Big Top, Cardiff TICKETS

7th April – Laugharne Weekend, SOLD OUT

8th April – The Phoenix, Exeter TICKETS

 

REAL ESTATE SHARE DETAILS OF NEW ALBUM IN MIND OUT MARCH 17

Real Estate | 24/01/17

Image: Real Estate In Mind launch shot


Real Estate has confirmed details for their upcoming fourth LP – In Mind – out March 17th via Domino. Recorded in Los Angeles with Grammy-winning producer Cole M.G.N. (Beck, Snoop Dogg, Julia Holter), album opener ‘Darling’ is available now along with accompanying music video, directed by Weird Days. 

Stream 'Darling' here.

Over 11 songs, In Mind pushes the band in new directions, while still retaining the warmth and soft-focus narratives that one has come to expect from Real Estate —pastoral guitars, elegantly deployed arrangements, a mindful melancholy. In Mind offers the sound of a mature band not only at the height of its power, but in a period of change. Since their last record – 2014’s Atlas – primary songwriter Martin Courtney became a father of two and moved to upstate New York, while bassist Alex Bleeker relocated to California. In addition, following the departure of co-founding member and lead guitarist Matt Mondanile in 2015, Courtney, Bleeker, drummer Jackson Pollis and keyboardist Matt Kallman welcomed longtime friend and New Jersey native Julian Lynch into the band as a full-time guitarist.

Atlas was an undisputed breakout for the band. Apart from being one of the most lauded records of that year, it earned them performances on Letterman and Conan, their third consecutive Pitchfork Best New Music, and saw them sell out London’s Shepherd’s Bush Empire – their biggest UK headline date so far.

In addition to a spot at Coachella this Spring, Real Estate will tour extensively behind In Mind - more info coming soon.

In Mind will be available on CD, LP and digitally.  An exclusive limited edition deluxe LP featuring heavyweight colored vinyl, gold foil imprinted packaging, and a slipmat, is available to pre-order from Domino Mart. iTunes pre-orders will come with an instant download of ‘Darling’.

In Mind Tracklisting:
1. Darling
2. Serve The Song
3. Stained Glass
4. After The Moon
5. Two Arrows
6. White Light
7. Holding Pattern
8. Time
9. Diamond Eyes
10. Same Sun
11. Saturday

Pre-order here: Dom Mart | iTunes

 

JOE GODDARD ANNOUNCES NEW SOLO ALBUM, ELECTRIC LINES, OUT 21ST APRIL ON GRECO-ROMAN / DOMINO

Joe Goddard | 23/01/17

Image: Joe Goddard launch shot

Electric Lines, the new album from producer Joe Goddard, is all about connections. The title refers to the colourful cables that link the modules in his Eurorack synthesizer and to the invisible wires that run between all the different kinds of electronic music that he loves. An apt title for a record which brilliantly unites the strands of his prolific career: member of Hot Chip and the 2 Bears, songwriter, producer, DJ, Grammy award nominated remixer and co-founder of the Greco-Roman label.

Like Four Tet, Caribou and Jamie xx, Joe combines a thirst for experimentation, an instinctive understanding of the dancefloor and a love of left-of-centre pop music. Electric Lines confirms his place in the front rank of British producers. 

Today Goddard also drops the video for new single ‘Music Is The Answer’, the second track to be heard from the forthcoming album.

Following hot on the heels of ‘Lose Your Love’, ‘Music Is The Answer’ is an infectious left-of-centre pop track featuring London singer-songwriter Jess Mills, also known as Slo (previous collaborations include Photek, Distance and Breakage).

Directed by Shynola creative collective (Radiohead ‘Pyramid Song’, Beck ‘E-Pro’, Blur ‘Good Song’, Queens of The Stone Age ‘Go With The Flow’), the video epitomises the track’s optimistic message and much needed modern day mantra. Director Richard Kenworthy says: “The message of this track really resonated with us coming off the back of what for most people was a dispiriting year. We'd recently been reading about the AWOL Hitomi satellite, and also the incredible Pinchas Gutter hologram and that lead to imagine a story about a satellite lost in the vastness of space, broadcasting a recorded message of hope.” 

Elsewhere on the album, Hot Chip bandmate Alexis Taylor features on the title track ‘Electric Lines’, while Michigan based singer Daniel Wilson makes an appearance on disco-sampling deep house track ‘Home’. Jess Mills graces the album’s two most irresistible pop songs, ‘Ordinary Madness’ and ‘Music Is the Answer’. Joe himself sings on a few tracks including the deeply personal ‘So Long’, a tender reflection on parenthood and mortality. Electric Lines treasure chest of styles also includes lustrous electronic soul (‘Lose Your Love’), rippling UK garage (‘Truth Is Light’) and shamanic psychedelic techno (‘Children’). The result is an album set to draw the map of 2017’s musical landscape and cement Joe Goddard as one of the UK’s most credible and well respected producers.

Electric Lines will be available on Deluxe Edition Vinyl, featuring a signed double LP on heavyweight vinyl with a wide spined sleeve, exclusive bonus 12” featuring 3 tracks from the Electric Lines’ album sessions, download card with album + 12” tracks.  A UK specific edition will also include entry to the Electric Lines album launch show at London’s Heaven on Thursday 4th May 2017.  The CD will feature an initial card pack pressing with a 6 page artwork booklet. You can purchase the album digitally HERE and via Amazon HERE.  Vinyl and CD both feature completely unique, separate artwork.

Electric Lines tracklisting:

1    Ordinary Madness

2    Lose Your Love

3    Home

4    Lasers

5    Human Heart

6    Children

7    Truth Is Light

8    Nothing Moves

9    Electric Lines

10 Music Is The Answer

  

‘Electric Lines’ will be released April 21, 2017 on Greco-Roman/ Domino


 

DIRTY PROJECTORS' SELF-TITLED 7TH ALBUM RELEASED 24TH FEBRUARY

Dirty Projectors | 18/01/17

Image: DPs press shot

The new Dirty Projectors song ‘Up In Hudson’ is an elegy — to the Obama years, to a generation of indie rock, and to a relationship.  Over the course of nine verses and almost eight minutes, the lyrics situate David Longstreth & his band in the vivid textures of the recent past like a millennial Blood On The Tracks.  It is a piece of epic storytelling unlike anything else in Dirty Projectors’ discography.

To arrive where we began and know the place for the first time: ‘Up In Hudson’ is an origin story for a new chapter of Dirty Projectors. 

And with it, Dirty Projectors announce their long-awaited 7th LP.

The new album does everything we want and expect from Dirty Projectors — but in a way we never could have imagined or anticipated.  In a career of surprising conceptual gambits, unexpected stylistic evolutions, and continually changing lineups — this is, as DJ Khaled says, “ANOTHER ONE”!

Dirty Projectors will be out February 24, 2017 on Domino.

Tracklisting: 

01. Keep Your Name

02. Death Spiral

03. Up In Hudson

04. Work Together

05. Little Bubble

06. Winner Take Nothing

07. Ascent Through Clouds

08. Cool Your Heart

09. I See You

The deluxe edition LP will be available exclusively through the Domino Mart. The deluxe features the album on 150g clear with black smoke double LP, housed in a wide spine jacket with a 16-page 11x11 libretto, and an etched D side. The first pressing of the CD features an O-card sleeve with a 16-page libretto. 

Pre-order the album here:

DELUXE VINYL

DIGITAL

 

FRANCOIS & THE ATLAS MOUNTAINS ANNOUNCE NEW ALBUM SOLIDE MIRAGE, RELEASED 3RD MARCH 2017

Fránçois & the Atlas Mountains | 12/01/17

Image: FATAM photo

Domino are proud to announce Solide Mirage, the fourth studio album from Frànçois & The Atlas Mountains. An album of strength, beauty, ups and downs, Solide Mirage is the group’s most outspoken and deep-rooted work to date, and is set for release on March 3rd 2017.

Alongside the announcement of Solide Mirage, Frànçois & The Atlas Mountains have shared the album’s first single, ‘Grand Dereglement’, plus a video directed by Jack Barraclough and Frànçois himself. The video is a collaboration between Frànçois and Palestinian Dabké dancer Mohamed Okal, who fled with his family from the conflicts in Gaza, where he used to work as an ambulance driver. The two met in a volunteer refugee space in Brussels where Okal taught Dabké. On the video Frànçois says: “The lyrics of the song are about the great changes in the world that move populations, and force the weaker to adapt to an intense and strenuous lifestyle. Filming Dabké dancing inside one the most emblematic buildings of the Capital of Europe (Palais de Justice) is a way of showing the positive side of civilisation shifts.”

In the time since 2014’s Piano Ombre, Frànçois Marry rediscovered his adolescent passion for the power of grunge. This energy he “lost on the way”, in his own words, resurfaced on two occasions. A collaboration with Hedi Slimane, who allowed him to immerse himself in the punk and grunge scene of L.A. - with bands like Wand and Sunflower Bean in particular - revived his passion for this electricity. Secondly, and especially, as the band performed live dates in the Middle East, they found themselves playing to a youth still feverish after its Arab Spring. “We played in Istanbul, Lebanon, Alexandria and Cairo in 2015”, explains Frànçois. “We discovered a youth eager for music, in particular the Egyptian youth, who had made the revolution two years earlier.”

As a man and as an artist, it felt necessary to have that grunge-ful spite, that healthy anger, to survive the horrors of 2015 and the chaos of the world, referred to in “Grand Dérèglement”, the introduction of Solide Mirage. Attacks, wars, the migrant crisis, generalised fear, the pre-apocalyptic atmosphere: a dark year for all and one which incited profound questions in Frànçois Marry. “We questioned ourselves a lot. It’s delicate to speak about politics in songs, but inevitable when you write in moments like these. I have a natural attraction to abstract poetry but I realised that it had become a head-in-the-sand technique. I do not understand why musicians do not ask themselves more questions about the responsibility of their words. And considering the realities of life in the year 2015, I had to think about what we wanted to say”

Solide Mirage - like an imperceptible dream, a fantasy where reality shifts as one approaches it – is a perfect definition for this protean, changeable-yet-direct album which reveals new facets and new territories in every listen. Sometimes soft (on 1982, Apocalypse à Ipsos, Pepétuel été, 100.000.000), sometimes tough (Bête Morcelée and its rush of pure grunge, Grand Dérèglement and the roughness and splinters of Jamais Deux Pareils), sometimes crazy (the digitized trance of Âpres Après), but always highly political, whether direct or reading between the lines.

The album was recorded in Jet Studios in Brussels and produced by Ash Workman, who also worked on Piano Ombre and who has worked with Metronomy and Christine & The Queens, with strings performed by Owen Pallett.

To celebrate the release of Solide Mirage, Frànçois will be playing a string of live dates across the UK at the end of March 2017.

Mon 27th March London, UK Moth Club

Tue Mar 28 Bristol, UK Thekla

Wed Mar 29 Manchester, UK Soup Kitchen

Thu Mar 30 Glasgow, UK Mono

Fri Mar 31 Norwich, UK Arts Centre

 

SPIRAL STAIRS ANNOUNCE NEW ALBUM DORIS AND THE DAGGERS TO BE RELEASED MARCH 24TH

Spiral Stairs | 11/01/17

Image: Spiral Stairs press shot

It’s been eight years since Scott Kannberg, aka Spiral Stairs (founding member of Pavement and Preston School of Industry), released any new music. He knows that. The years just have a habit of slipping away sometimes.

You can’t hurry genius – not even the genial, unforced and unpretentious genius that has long been Scott’s forte. Today, Spiral Stairs announces news of his second album Doris and The Daggers – to be released on March 24th through Domino - and shares the first track from it, the album opener ‘Dance (Cry Wolf)’. Its Roxy Music meets Wire slink and stompable groove is a “positive, dance-away-the-pain thing” says Scott whilst the video features Jason Lytle from Grandaddy.

Doris and The Daggers is worth the wait, it showcases the most personal and emotional music Kannberg has ever written, reflecting the life changes that occurred over those eight years. During that stretch, Scott weathered the loss of friends, treasured the joys of fatherhood, lived life as an Australian and even ate haggis meat – experiences that inform these warm, sweetly melodic and soundly honest songs.

The first Spiral Stairs record The Real Feel came in 2009, just as Pavement were announcing a hugely successful burst of reunion shows. After that, Scott and his wife moved to Brisbane, Australia, started a family and life simply got in the way.

Having moved back to Los Angeles, the original concept for the album was to go to Seattle’s Orbit Studios and “record the whole thing in a week, like the old days.” Then, a month before the trip, Scott awoke to heart-breaking news: Darius Minwalla, who had drummed with Preston School of Industry and on The Real Feel, and was scheduled to play on the mooted Seattle sessions, died suddenly in his sleep.

Scott was deep-sixed by the news, and it would be another three months before he was ready to return to the studio. By that time, the album had changed – the songs had grown in the interim, become longer, more emotional. Following Darius’ death, Scott went to spend time with his friend, singer-songwriter Kelley Stoltz, up in San Francisco, where they bounced ideas off each other. “His influence made me turn the record in an entirely different direction.”

Instead of a week-long blitz, Doris and The Daggers was recorded over a more civilised, considered batch of short sessions at Exactamundo studios in Eagle Rock, California. Long-time low-end foil Matt Harris returned on bass duties, while the drum-stool was adopted by Broken Social Scene’s Justin Peroff. The trio cut 30 songs in all, while a number of Scott’s close musical friends stepped in to make some key contributions. Peroff’s Broken Social Scene cohort Kevin Drew sang on ‘Emoshuns’, Kelley Stoltz lent guitar to the summery chime of ‘AWM’, and The National’s Matt Berninger lends vocals to the bittersweet, zephyr-light ‘Exiled Tonight’.

“I guess I’ve been writing songs for a while now,” reflects Kannberg on his second album. “I like hearing echoes of things I love in the music that I make. Writing music doesn’t come easy to me – it’s hard to write a song that’s good. But our memories slowly escape us as we get older, and in songs you kind of relive those moments, the things that matter.” And that’s part of the key to Doris and The Daggers’ charm, along with the lyrical wit and Scott’s unerring knack for tuneage as embraceably familiar as a beloved sweater; these songs are full of life, stories engagingly told, and a sense of affection for everything that happens within them. You’ll keep returning to them again and again, and hope that Scott doesn’t wait so long to cut his next batch. 

Tracklisting:

  1. Dance (Cry Wolf)
  2. Emoshuns
  3. Dundee Man
  4. AWM
  5. No Comparison
  6. The Unconditional
  7. Trams (Stole My Love)
  8. Exiled Tonight
  9. Angel Eyes
  10. Doris and The Daggers

Doris and The Daggers is available to pre-order now on deluxe vinyl with bonus tracks, standard vinyl, CD and digital download. 

 

BUZZCOCKS' 'SPIRAL SCRATCH' EP AND TIME'S UP RE-ISSUED FOR 40TH ANNIVERSARIES

Buzzcocks | 09/01/17

Image: Buzzcocks press shot

Domino is proud to celebrate the 40th anniversary of the release of Buzzcocks’ groundbreaking ‘Spiral Scratch’ EP with its reissue on the 27th of January 2017.  ‘Time’s Up’, the 1976 demos recorded with founder & singer Howard Devoto and originally released as a bootleg, will be reissued on the 10th of March, alongside the Buzzcocks (mk.1) Box , containing vinyl and CD of both ‘Spiral Scratch’ and ‘Times Up’ alongside rare reprinted ephemera of the time.  Watch ‘Breakdown’, filmed at Manchester’s Lesser Free Trade Hall shows in 1976 HERE.

‘It’s the Buzz, Cock’.

Howard Devoto read this headline from a January 1976 Time Out review of ‘Rock Follies’, the 1970s TV musical drama following the ups and downs of the fictional female rock group, ‘Little Ladies’.

Adapting and appropriating it as the name for his new band that he had just formed with Pete Shelley having realised what a Sex Pistol was before anyone else. 

Buzzcocks formed having witnessed firsthand the white-heat of the early Sex Pistols. Howard and Pete went about organising the now infamous 1976 Lesser Free Trade Hall gigs that brought punk to the provinces and galvanized the new Manchester music revolution. The plan was to simply play support to the Pistols and then see what happened next…

Featuring the original line-up of Howard Devoto (vocals & songwriter), Pete Shelley (guitar & songwriter), Steve Diggle (bass guitar) and John Maher (drums), ‘Time’s Up’ was recorded at Revolution Studios, Bramhall Lane Stockport on the 18th of October 1976. The session, recording Buzzcocks’ live set at the time, cost £45 and was engineered by Andy MacPherson. 

In December of the same year, the band recorded the four track ‘Spiral Scratch’ EP with a minimum of fuss in ‘downtime’ at Indigo Studios, with Martin Hannett (then going under the pseudonym of Martin Zero) producing.  The band inexplicably took it upon themselves to release the EP themselves, somehow finding the monies necessary to press up 1000 copied on 7” vinyl, on their own New Hormones label.  The EP sold for £1 a copy. Within days of the initial release, with typical punk chaos and sweet disregard for any cohesive business strategy, Howard Devoto revealed that he was quitting the band.  The ‘Spiral Scratch’ EP quickly sold out its initial 1000 pressing, went on to sell 16,000 copies over the next six months and is now recognised as one of, if not the, most important records of the punk explosion – the first self-released record of its time, with the band responsible for everything, from sleeve design to distribution.

Spiral Scratch’ is testament to the power of punk’s possibilities and is an object lesson in how to debunk and demystify any hurdles presented by the establishment. The impact of this incredible seven inches of vinyl that kick-started the whole D.I.Y. culturegoes on, and on, and on, and on, and on…

‘Spiral Scratch’ will be available on 7” vinyl and digitally + a limited edition 7” with an insert including the original press release via Dom Mart.   Stream ‘Spiral Scratch’ HERE

 ‘Times Up’ will be available on CD, vinyl and digitally.  Stream ‘Times Up’ HERE

Buzzcocks (mk.1) Box contains 7” vinyl and CD of ‘Spiral Scratch’, LP vinyl and CD of ‘Time’s Up’ and audio & video download codes, plus reprinted ephemera of the time, including assorted 10” x 8” photographs, 1976 gig flyers and posters, pin badges, the ‘Spiral Scratch’ story and a new re-imagined edition of Manchester fanzine, ‘Shy Talk’ with original contributions from those who were there at the time.  You can pre-order the box set HERE.

 

JOB OPPORTUNITY: REPERTOIRE ASSISTANT

03/01/17

Image: neon sign

Double Six Rights Management is recruiting for a Repertoire Assistant.

Double Six Rights Management

Double Six Rights is Domino Music Group’s agency dedicated to the worldwide collection of Neighbouring Rights income for a rapidly-expanding roster of performers and record labels. We’ve significantly increased collections for this client base since our inception in 2011 and are now looking to add to our close-knit team.

The Role

The Repertoire Assistant will report to the Co-ordinators for Label and Performer Repertoire, assisting in the day-to-day operation of the business with a particular focus on our clients’ metadata. Duties will include:

  • registering – and auditing registrations of – catalogue at collecting societies worldwide
  • collating, sourcing and managing metadata
  • gathering supporting evidence/artwork
  • society unclaimed and dispute processes
  • general administration

Ideal Candidates

Candidates should possess a keen eye for detail, above average numeracy and be comfortable working with large volumes of data. Some familiarity with database systems or royalty/accounting software would also be an asset. Experience with Excel is essential.

How to apply

To apply, please email a CV and covering letter stating how you meet the requirements to vacancy@doublesixrights.com before Friday 20th January, 2017.  

 

DOMINO DOCUMENTS PRESENTS JULIA HOLTER LIVE STUDIO ALBUM

16/12/16

Image: Julia Holter In The Same Room press shot

Domino is proud to launch Documents, an irregular new series of live studio recordings designed to capture the ever-evolving arrangements of our artists and their bands in high fidelity. Taking its inspiration from classic BBC sessions, each Documents release will be recorded in no more than a day or two at a world class studio in London. Or at least that’s the plan.

The first official Documents release is In The Same Room by Julia Holter, although Domino count Villagers’ Where Have You Been All My Life? as the honorary inaugural Document in all but name.

In The Same Room – to be released March 31st 2017 – is named after a song from Holter’s 2012 album Ekstasis, and this new career-spanning collection is the fruit of two days recording by Julia and her tremendous band (Corey Fogel – drums/vocals; Dina Maccabee - viola/vocals and Devin Hoff - stand-up bass) at RAK Studios in the days after their main stage performance at Green Man Festival in Wales.

Listen to ‘So Lillies’, a re-working of the track from her debut album Tragedy (2011) that highlights Julia’s constant progression and the breadth of her capabilities. 

Comprised of new arrangements of songs from three of her previous studio releases (Tragedy, Loud City Song and 2015's breakthrough Have You In My Wilderness), Holter's Domino Documents is an essential release for anyone who has witnessed her brilliant, beguiling band on tour around the world in the last five years as well as the perfect introduction to a truly important and innovative young artist.

In the 15 months since Have You In My Wilderness, Julia has gone from strength to strength, including playing the biggest headline show of her career in the UK last month – at London’s Shepherd’s Bush Empire – and scoring the soundtrack for the new Miles Teller film Bleed For This.

In The Same Room Tracklisting:

  1. Horns Surrounding Me (Live at RAK)
  2. So Lillies (Live at RAK)
  3. Silhouette (Live at RAK)
  4. How Long (Live at RAK)
  5. Feel You (Live at RAK)
  6. Lucette Stranded on the Island (Live at RAK)
  7. In The Green Wild (Live at RAK)
  8. City Appearing (Live at RAK)
  9. Vasquez (Live at RAK)
  10. Betsy on the Roof (Live at RAK)
  11. Sea Calls Me Home (Live at RAK)

In The Same Room is available to pre-order now on limited edition deluxe coloured vinyl with exclusive Polaroid photographs from the RAK session, standard vinyl, CD and digital download.

Pre-order: Dom Mart / Digital

 

DOMINO SIGNS FAT WHITE FAMILY

Fat White Family | 12/12/16

Image: Fat White Family logo

Anyone with a nose for genuine rock & roll already knows that Fat White Family are plainly the most exciting, influential and talked about band to come out of this country in the last few years.  We are delighted, if slightly nervous, at the prospect of taking them to the next level.’ – Laurence Bell, Domino

Domino is thrilled to announce that Fat White Family have signed to the label.  The band, fresh from a UK tour which culminated with their sold out, headline show at Brixton Academy, are currently working on new material.

 

BACK IN THE VINYL RACKS

10/11/16

Image: Domino Mart repress LARGE

A selection of Classic Domino titles are now back in the vinyl racks!

Galaxie 500 – On Fire 

Buy from Domino Mart here

Steve Mason – Boys Outside

Buy from Domino Mart here

Robert Wyatt – Ruth Is Stranger Than Richard 

Buy from Domino Mart here 

Pavement – Quarantine The Past – The Best Of Pavement

Buy from Domino Mart here

Bonnie ‘Prince’ Billy – Beware

Buy from Domino Mart here

Bonnie ‘Prince’ Billy & Matt Sweeney - Superwolf

Buy from Domino Mart here

Go on, treat yourself!

 

AUSTRA ANNOUNCE NEW ALBUM FUTURE POLITICS

Austra | 18/10/16

Image: Photo credit Renata Raksha

Austra, the recording project led by Canadian vocalist and producer Katie Stelmanis, is pleased to announce Future Politics, the third full length in their discography. Future Politics will be out on January 20th 2017.

Accompanying today’s announcement is a video for first single ‘Utopia’. Directed by THAT GO (Chairlift, Lapsley, Father John Misty), the video stars Stelmanis held hostage in an icy, modern apartment by an insidiously sinister device.

Says THAT GO on the video: "Katie came into the video project with a lot of ideas about the future. We discussed everything from food trends to Star Trek: The Next Generation. The video is more near-future than distant-future, with recognizable technology and modern protein sources.”

Future Politics, Austra’s third, and most ambitious album to date, calls for radical hope: “a commitment to replace the approaching dystopia,” says Katie Stelmanis, who leads Austra with the support of Maya Postepski (Princess Century, TR/ST), Dorian Wolf, and Ryan Wonsiak. “Not just hope in the future, but the idea that everyone is required to help write it, and the boundaries of what it can look like are both fascinating and endless. Its not about ‘being political,its about reaching beyond boundaries, in every single field.”

Future Politics is a collection of urgent, disciplined anthems for dancefloors and headphones alike, that asks each of us to remember that apocalypse is not an inevitability, but the product of human decision-making. It aims for a world without borders, where human compassion and curiosity drive technological innovation rather than profit, where the necessity of labour is replaced with time for creativity and personal growth, and the terror and destruction wrought by colonialism and white supremacy is recognized as a dark age in human history. The album is radicalism distilled: to galvanic beats, gorgeous, kinetic melodies, and the vulnerable majesty of Stelmanis’s voice.

Inspired by her time living in two cities – Montreal and Mexico City – and propelled by economic and philosophical texts she was reading throughout the album’s creation, Stelmanis was driven to face the world’s ailments with positivity, purpose, and engagement, rather than detachment or despair. Inspiration also came from European club culture - Objekt, Peter Van Hoesen, Lena Willikens as well as the likes of Massive Attack; in all, artists who understand the dancefloor as a source of radical ideas and radical joy.

Change, Rebecca Solnit (author, activist, environmentalist and editor at Harper’s Magazine) writes, comes from “writers, scholars, public intellectuals, social activists, and participants in social media”. Stelmanis adds “artists, club scenes, parties, teenagers, ghettoes” to that list - “every single persons idea about the future is valid and relevant, especially the freaks and the queers and the outsiders.”

Future Politics tracklisting:

  1. We Were Alive
  2. Future Politics
  3. Utopia
  4. I’m A Monster
  5. I Love You More Than You Love Yourself
  6. Angel In Your Eye
  7. Freepower
  8. Gaia
  9. Beyond A Mortal
  10. Deep Thought
  11. 43

Future Politics is available to pre-order now on limited edition deluxe colored vinyl with exclusive signed art print, CD, and digital download.

Pre-order: Dom Mart / iTunes


 

THE LAST SHADOW PUPPETS RELEASE THE DREAM SYNOPSIS EP DECEMBER 2ND

The Last Shadow Puppets | 17/10/16

Image: Dream Synopsis EP

The Last Shadow Puppets release ‘The Dream Synopsis’ EP on Friday, the 2nd of December 2016.   The EP was recorded live in one day at Future-Past Studios, Hudson NY and features new versions of album favourites ‘Aviation’ and ‘The Dream Synopsis’ alongside a selection of cover versions, first heard live during The Last Shadow Puppets’ summer touring.  Watch their cover of Leonard Cohen’s ‘Is This What You Wanted’, directed by Focus Creeps below.

Tracklisting:

  1. Aviation
  2. Les Cactus  - original by Jacques Dutronc
  3. Totally Wired – original by The Fall
  4. This Is Your Life – original by Glaxo Babies
  5. Is This What You Wanted – original by Leonard Cohen
  6. The Dream Synopsis 


The Dream Synopsis EP is available to pre-order on limited edition red vinyl 12”CD and digitally ahead of its Friday 2nd December release. Stream ‘Is This What You Wanted’ here.

 

LISTEN TO FRANZ FERDINAND'S 'DEMAGOGUE'

Franz Ferdinand | 14/10/16

Image: Demagogue artwork

This is the first release by Franz Ferdinand since their FFS project last year. 

The artwork is a collaboration with Shepard Fairey and it is part of 30 Songs in 30 Days. 

When asked for a comment, the band said:

"He's a Demagogue."

Listen on Soundcloud: po.st/FFdemaSC

Listen on Spotify: po.st/FFdemaSP

Part of the 30days30songs.com project.

 

SHIRLEY COLLINS SHARES VIDEO FOR LODESTAR'S 'PRETTY POLLY'

13/10/16

Image: Pretty Polly video still

As the release of Lodestar  - Shirley Collins’ first album in 38 years - draws closer, Shirley is pleased to share a third track, ‘Pretty Polly’, from the forthcoming record. 

The song ‘Pretty Polly’ comes from the Ozark Mountains of Arkansas, Shirley says of the song: “I recorded this myself from the singing of Mrs Ollie Gilbert in 1959, on the field trip with Alan Lomax”. 

Directed by Layla Atkinson, the video was given one stipulation by Shirley, to incorporate a very special kind of puppet, a jig doll. These puppets come to life when jigged on a vibrating board and have been popular street entertainment for hundreds of years. Inspired by ‘Pretty Polly’ and these jig dolls, Atkinson decided to handcraft all the scenes in the video from cardboard and timber and shot it on 16MM on the hottest September day of the last 100 years.

[VIDEO]

Lodestar – to be released on November 4th through Domino Records - is a collection of English, American and Cajun songs dating from the 16th Century to the 1950s, recorded at Shirley’s home in Lewes by Stephen Thrower and Ossian Brown of Cyclobe and produced and musically directed by Ian Kearey. 

Collins previously shared ‘Cruel Lincoln’ and ‘Death and the Lady’ from the album and you can watch a track by track description of both songs by Shirley here

Additionally, Shirley Collins will be performing at two record shops next month to launch the album – Rough Trade East in London alongside a Q&A with Pete Paphides and Union Music Store, Lewes where she will be joined by Brighton Morris Men.

Born in Hastings in 1935, Shirley was fascinated by folk songs as she was growing up, songs she heard on the radio or sung by her grandparents in Anderson shelters. She left home for London to immerse herself in the burgeoning folk scene; at a party held by Ewan MacColl she met Alan Lomax, and in 1959 she joined him in the USA on the renowned field trip ‘Southern Journey’, recording American folk songs and blues, a formative journey for her personally and professionally.

On her return to England, Shirley cemented her role at the forefront of the Folk Revival,  recording over a dozen albums including the influential Folk Roots, New Routes with avant-garde guitarist Davy Graham, and No Roses, from which The Albion Country Band was formed. However, in the 1980s, Shirley lost her singing voice – later diagnosed as a form of dysphonia - and withdrew from performing live. It was only in 2014, after coaxing from David Tibet (Current 93), that Shirley sang in public for the first time since 1982. 

Though Shirley Collins (MBE) has been absent from the music scene for many years, her impact has not diminished, the likes of Graham Coxon, Jonny Greenwood, Stewart Lee and Angel Olsen laud her and a documentary The Ballad of Shirley Collins is currently in progress. Additionally, she was given the ‘Good Tradition’ award at the BBC Radio 2 Folk Awards in 2008, elected President of the English Folk Dance & Song Society in the same year and was awarded an Honorary Doctorate in Music from Sussex University this year. Shirley released her first memoir, America Over the Water, in 2004 and is currently working on her second book.

Now Shirley Collins has sung once more (with a mischievous delight in defeating expectation), the accepted canon of her great recordings will have to be comprehensively recalibrated, yet again. 

“Shirley is a time traveller, a conduit for essential human aches, one of the greatest artists who ever lived, and yet utterly humble” Stewart Lee

Friday 4th November

Shirley Collins @ Union Music Store, Lewes

For more information, click here.

 

Monday 7th November

Shirley Collins in conversation with Pete Paphides + live performance @ Rough Trade East, London

For more information, click here.

 

WATCH KING CREOSOTE'S 'LOVE LIFE' VIDEO

King Creosote | 11/10/16

Image: Love Life video still

Last month, King Creosote released Astronaut Meets Appleman, a beautiful addition to his repertoire and an exploration of the tension and harmony between tradition and technology that invoked a feeling, KC says, of “being caught between heaven and earth”

Otherwise known as Kenny Anderson, KC is now pleased to share the video for ‘Love Life’. The glorious ‘Love Life’ showcases Kenny’s knack for a killer couplet: “Her jealous accusations know no bounds / Scarlett Johansson was never in my house”.

Directed by Euan Robertson, watch the video for ‘Love Life’ below.

Following on from his sold out show in London last month, Anderson will be heading out on a full UK tour in January 2017 and will be joined by his 8-piece band at several of the shows including London’s Barbican.

Astronaut Meets Appleman follows KC’s breakthrough record From Scotland With Love (2014) and his Mercury-nominated collaboration with Jon Hopkins, Diamond Mine (2011).

The KC idiom – equal parts geometry, self-deprecation, cosmic wonder and seafaring poetry – remains intact on Astronaut Meets Appleman. But there is a renewed sense of space and letting the music breathe (lead, even) on the album – all the better to showcase a stunning ensemble cast that includes Catriona McKay (harp), Mairearad Green (bagpipes), Gordon Maclean (double bass), Hannah Fisher (violin, vocals), Sorren Maclean (guitar, vocals) and Pete Harvey (cello), alongside KC's regular rock diviners, and his baby daughter Louie Wren (on ambient reverie, 'Peter Rabbit Tea'). 

“I wanted to push myself songwriting-wise, so I went in with hardly anything and had to wing it,” KC reveals. “I wanted to try and flip the clock all the way back to sound like a younger me – or a less cynical me. In the past, I've been fixated on twisting and wrenching every line, but here I've let that go a bit, and I hope that lets you concentrate more on the music; on what’s going on around it.”

“I always feel I’m reaching for something, but I never get there, I wanted to get out of the usual places” KC muses, and this is reflected in the album's geography, which is more far-flung than usual. It was variously recorded at Analogue Catalogue in Ireland's County Down, An Tobar on the Isle of Mull, and Glasgow's Chem19 studios (HQ of long-time ally Paul Savage, who co-produced the LP with KC).

On Astronaut Meets Appleman, King Creosote is still upsetting apple-carts and dealing with the fallout, still appraising love and life, the moon, the stars; tide tables, bagpipe scores, zeros and ones; mathematics, ticking clocks and the beat of our hearts. 

Upcoming live dates

21st October – Brye Theatre, St Andrews

5th December – Le Pop Up du Label, Paris

7th December –Sodra Teatern , Stockholm

9th December – Ingensteds, Oslo

10th December – Gruner Salon, Berlin

12th Jan – Bogbain, Inverness

13th Jan – Birnam Arts Centre, Dunkeld

14th Jan – Woodend Barn. Banchory

16th Jan – RNCM Concert Hall, Manchester *

17th Jan – Open, Norwich *

18th Jan – Corn Exchange, Cambridge *

20th Jan – Philharmonic Hall, Liverpool ~

21st Jan – Town Hall, Birmingham ~

22nd Jan – Barbican, London ~

23rd Jan – Colston Hall, Bristol ~

24th Jan – Tramshed, Cardiff ~

25th Jan – Sage Gateshead, Gateshead ~

27th Jan – Old Fruitmarket (Celtic Connections), Glasgow

Support from * Charlie Cunningham ~ Modern Studies

 

DIRTY PROJECTORS KEEP YOUR NAME

Dirty Projectors | 23/09/16

Image: Keep Your Name Press shot

Dirty Projectors, the beloved, decade-plus-long recording pursuit of producer, multi-instrumentalist, and vocalist David Longstreth, has today released the first new music since 2012’s Swing Lo Magellan.

Stream ‘Keep Your Name’ HERE.

Download ‘Keep Your Name’ HERE.

 

LITTLE CUB SIGN TO DOMINO, RELEASE DEBUT SINGLE ‘LOVELESS’ 11TH NOVEMBER

Little Cub | 22/09/16

Image: LC Landscape

Introducing London band Little Cub, whose debut single ‘Loveless’ is streaming now and officially released on 11th November 2016. 

Little Cub are Dominic Gore, Duncan Tootill and Ady Acolatse.

Merging a wry, worldly and subversive form of self-effacing, diarist lyricism with sumptuously evocative electronic production, ‘Loveless’ announces  the arrival of a band at once deeply in tune with the greatest traditions of progressive, homespun British pop music and at odds with the increasingly vacuous pop culture they are born to.

Little Cub’s burgeoning reputation as one of the city’s finest new exponents of electronic pop has seen them sell out a four-night headline residency at Peckham’s Copeland Estate off the back of the release of their debut ‘Breathing Space’ EP.

‘Loveless’ showcases Little Cub at their direct best, harnessing Tootill’s astute production work – which has seen him work with the likes of George Fitzgerald, Lil Silva and more – to frontman Gore’s refreshingly self-reflexive, honest and occasionally uncomfortable poetics. Watch the video for ‘Loveless’, directed by visual artists Dexter Lander and Nick Pomeroy, now.

With a melody by Acolaste, the lyric of ‘Loveless’, was written by Gore about a relationship Acolatse was in at the time. "Did we really lose our hearts?” the soaring chorus ponders with an odd and infectious kind of triumphant melancholy.

"I was perceiving this relationship between two great people", Gore says, "but could see it was kind of becoming less than the sum of its parts. It was neither party's fault but it was clear that both were becoming colder through the very nature of being together. It's something I've perceived a lot, these situations where if it were merely a friend going through that pain then you'd automatically feel empathy but in a romantic setting those feelings in someone else gradually come to seem ridiculous or embarrassing or even grotesque.

It's about how every time you have a relationship like that it seems to remove a part of you. You can lose your heart a little. Of course this should be horribly sad, and in a way it is, but I also think it might be in a way necessary and so the song's not completely mourning that loss."

Listen to Loveless on Spotify HERE

Listen to Loveless on Apple Music HERE

‘Loveless’ will be released on 11th November as part of the ‘Loveless’ 12” including 3 reworked versions of the track. Pre-order the EP via Dom Mart.

Loveless 12” Tracklist:

Loveless (Single Version)

Loveless (Beatless Version)

Loveless (Late Night Edit)

Loveless (Dark Edit)

The band’s debut tracks, ‘Breathing Space’ – leading the tracks on its accompanying EP - and ‘Intent’, are available for free download now via their website http://wearelittlecub.com/ and streaming now on Spotify and Apple Music.

Forthcoming Little Cub live dates:

Thurs 29th Sept Kamio (formerly Red Gallery), London w/ Boxed In

Tuesday 15th November Electrowerks, London (headlining show)

Little Cub Online

Website | Facebook | Twitter | Instagram | Spotify | Apple Music

 

SHIRLEY COLLINS TO RELEASE NEW ALBUM LODESTAR 4TH NOVEMBER

22/09/16

Image: Shirley Collins - Lodestar artwork

Shirley Collins – legendary folk singer and one of England’s most respected song collectors –  has announced her return to recording after 38 years. The new album, Lodestar, will be released on November 4th, and with it, Shirley has created the unlikeliest release of the century so far. 

Lodestar is a collection of English, American and Cajun songs dating from the 16th Century to the 1950s, recorded at Shirley’s home in Lewes by Stephen Thrower and Ossian Brown of Cyclobe and produced and musically directed by Ian Kearey.

The first track to be shared from Lodestar is ‘Cruel Lincoln’. Shirley explains the history of the song: “This is an ancient ballad, found only rarely in England. The theory is that Cruel Lincoln was a mason who was not paid for the work he did for ‘the Lord of the Manor’ and so extracted a terrible revenge”. It also features bird song recorded at the back of Shirley’s cottage. 

Born in Hastings in 1935, Shirley was fascinated by folk songs as she was growing up, songs she heard on the radio or sung by her grandparents in Anderson shelters. She left home for London to immerse herself in the burgeoning folk scene; at a party held by Ewan MacColl she met Alan Lomax, and in 1959 she joined him in the USA on the renowned field trip ‘Southern Journey’, recording American folk songs and blues, a formative journey for her personally and professionally.

On her return to England, Shirley cemented her role at the forefront of the Folk Revival,  recording over a dozen albums including the influential Folk Roots, New Routes with avant-garde guitarist Davy Graham, and No Roses, from which The Albion Country Band was formed. However, in the 1980s, Shirley lost her singing voice – later diagnosed as a form of dysphonia - and withdrew from performing live. It was only in 2014, after coaxing from David Tibet (Current 93), that Shirley sang in public for the first time since 1982. 

Though Shirley Collins (MBE) has been absent from the music scene for many years, her impact has not diminished, the likes of Graham Coxon, Jonny Greenwood, Stewart Lee and Angel Olsen laud her and a documentary The Ballad of Shirley Collins is currently in progress. Additionally, she was given the ‘Good Tradition’ award at the BBC Radio 2 Folk Awards in 2008, elected President of the English Folk Dance & Song Society in the same year and was awarded an Honorary Doctorate in Music from Sussex University this year. Shirley released her first memoir, America Over the Water, in 2004 and is currently working on her second book.

Now Shirley Collins has sung once more (with a mischievous delight in defeating expectation), the accepted canon of her great recordings will have to be comprehensively recalibrated, yet again.  

“Shirley is a time traveller, a conduit for essential human aches, one of the greatest artists who ever lived, and yet utterly humble” Stewart Lee

Lodestar will be available on limited edition deluxe vinyl with a 24 page 12” booklet featuring song notes by Shirley Collins and sleeve notes by Stewart Lee and a signed print (signed print is available exclusively via Dom Mart), limited edition deluxe CD with 28 page booklet and standard vinyl. For more details visit Dom Mart.

Listen to the album's first two songs, 'Cruel Lincoln' and 'Death and The Lady', below now.

 

THE MAGNETIC FIELDS ANNOUNCE RE-ISSUE OF 69 LOVE SONGS

24/08/16

Image: Magnetic Fields boxset

The Magnetic Fields is songwriter, producer and multi-instrumentalist Stephin Merritt. His three-hour magnum opus 69 Love Songs is to be reissued on vinyl on October 7th through Domino Records. Comprised of 6 x 10” vinyl, the box set will include a full size 24-page colour booklet with liner notes by Daniel Handler (aka Lemony Snicket) including an in-depth interview and a track-by-track with Merritt. The box set will be limited to 1000 copies.

69 Love Songs was released in 1999 and 17 years later, it is still a singular achievement - a bold undertaking by one of pop music’s most innovative and acclaimed songwriters. Originally conceived by Merritt to be a live musical revue of 100 songs, Merritt realised that 100 songs, even at 2 minutes each, would be far too long a show and decided upon the next meaningful number, 69. 69 songs about life, loss, hope and beauty.  69 songs about the pursuit of that ever elusive and patently undefinable holy grail, love.

Stephin Merritt wrote all 69 songs but enlisted the help of numerous friends to record the album including long-time collaborator Claudia Gonson, guitarist John Woo, cellist Sam Davol and Daniel Handler. 24 of the songs feature guest vocals from LD Beghtol, Dudley Klute, Shirley Simms and Gonson.

A career-defining work (as Merritt intended it to be), 69 Love Songs routinely ranks in Best Albums of All Times lists and has earned cult status. It is a celebration to the beauty, magic, humor, frustration, longing and tenderness of the human condition. 

Pre-order the 69 Love Songs box set here

Praise for 69 Love Songs:

“One of the most remarkable records ever made” The Sunday Times

“A major achievement” The Guardian

“The greatest songwriter of his generation” Time Out

“An undoubted genius” NME

“A masterwork. You’ll probably think these songs are about you” Spin

‘‘Ludicrously talented and unfeasibly prolific” The Independent

“5/5 ‘An imposing landmark” Uncut 

Tracklisting:

Volume 1

  1. Absolutely Cuckoo
  2. I Don't Believe In The Sun
  3. All My Little Words
  4. A Chicken With Its Head Cut Off
  5. Reno Dakota
  6. I Don't Want To Get Over You
  7. Come Back From San Francisco
  8. The Luckiest Guy On The Lower East Side
  9. Let's Pretend We're Bunny Rabbits
  10. The Cactus Where Your Heart Should Be
  11. I Think I Need A New Heart
  12. The Book Of Love
  13. Fido, Your Leash Is Too Long
  14. How Fucking Romantic
  15. The One You Really Love
  16. Punk Love
  17. Parades Go By
  18. Boa Constrictor
  19. A Pretty Girl Is Like...
  20. My Sentimental Melody
  21. Nothing Matters When We're Dancing
  22. Sweet-Lovin' Man
  23. The Things We Did And Didn't Do

Volume 2

  1. Roses
  2. Love Is Like Jazz
  3. When My Boy Walks Down The Street
  4. Time Enough For Rocking When We're Old
  5. Very Funny
  6. Grand Canyon
  7. No One Will Ever Love You
  8. If You Don't Cry
  9. You're My Only Home
  10. (Crazy For You But) Not That Crazy
  11. My Only Friend
  12. Promises Of Eternity
  13. World Love
  14. Washington
  15. Long-Forgotten Fairytale
  16. Kiss Me Like You Mean It
  17. Papa Was A Rodeo
  18. Epitaph For My Heart
  19. Asleep And Dreaming
  20. The Sun Goes Down And The World Goes Dancing
  21. The Way You Say Good-Night
  22. Abigail, Belle Of Kilronan
  23. I Shatter

Volume 3

  1. Underwear
  2. It’s A Crime
  3. Busby Berkeley Dreams
  4. I’m Sorry I Love You
  5. Acoustic Guitar
  6. The Death Of Ferdinand De Saussure
  7. Love In The Shadows
  8. Bitter Tears
  9. Wi’ Nae Wee Bairn Ye’ll Me Beget
  10. Yeah! Oh, Yeah!
  11. Experimental Music Love
  12. Meaningless
  13. Love Is Like a Bottle Of Gin
  14. Queen Of The Savages
  15. Blue You
  16. I Can’t Touch You Anymore
  17. Two Kinds of People
  18. How To Say Goodbye
  19. The Night You Can’t Remember
  20. For We Are The King Of The Boudoir
  21. Strange Eyes
  22. Xylophone Track
  23. Zebra
 

PORCHES RELEASES WATER EP, LISTEN IN FULL NOW

Porches | 22/08/16

Image: Photo credit Emmanuel Olunkwa

Aaron Maine’s Porches follows the release of this year’s acclaimed Pool with the Water EP – a special opportunity to experience the music that formed the melodic skeleton of Pool in its raw state, alongside a pair of previously unreleased songs ‘Black Dress’ and ‘Black Budweiser T-Shirt’. Recorded solo in his adopted home of New York City, the Water EP strips Maine’s work down to its core, opening the curtain on his musical metamorphosis from previous releases Slow Dance In The Cosmos and those of his alias, Ronald Paris, into the Porches of today.

Stream Water EP HERE

Coinciding with the release of Water, Porches has shared a video for previously unreleased song ‘Black Dress,’ one of the new tracks from the EP.  Watch the video HERE.

Maine on Water:

I spent the first year after releasing ‘Slow Dance In The Cosmos’ teaching myself how to record music. I ended up with a bunch of pretty realized demos for songs that ended up on ‘Pool’ during that process. It was a loose and explorative time for me. I wanted to release a select few of these “demos” because I always find the excitement captured by recording a song when you first write it to be almost impossible to recreate later down the line. I chose to rerecord all of the songs that were to be on ‘Pool’ because I felt like by the time I had a batch of songs that I felt would make an album, I had grown as a producer and wanted to give them another pass. Either way, it’s fun to listen back to these earlier versions of the songs and remember how they first existed.

Water is available digitally today, stream it HERE, and will be on sale as a limited edition cassette during Porches upcoming autumn tour dates. It can also be purchased online, in limited quantities, through Bandcamp and the Domino Mart.

Purchase Water: Dom Mart || Bandcamp || iTunes 

Porches commence new live dates with a US headline tour throughout September, supported by Japanese Breakfast and Rivergazer, before arriving in the UK and Europe for a run of dates which include a London headline date at Tufnell Park Dome on Monday 24th October as well as appearances at Pitchfork Paris and London Calling at the end of the month. 

PORCHES TOUR DATES

Sat Sept 03 || Philadelphia, PA|| Made in America Festival – Fairmount Park

Sun Sept 04 || Washington, DC || Rock and Roll Hotel *

Mon Sept 05 || Richmond, VA ||Strange Matter *

Tue Sept 06 || Durham, NC || The Pinkhook *

Wed Sept 07 || Atlanta, GA || Masquerade – Purgatory Room *

Sat Sept 10 || Houston, TX || Walter’s *

Sun Sept 11 || Austin, TX || Barracuda *

Tue Sept 13 || Phoenix, AZ || Rebel *

Thu Sept 15 || San Diego, CA || Irenic *

Fri Sept 16 || Los Angeles, CA || Echoplex *

Sat Sept 17 || Berkeley, CA || UC Berkeley *

Sun Sept 18 || San Francisco, CA || The Independent *

Tue Sept 20 || Portland, OR || Analog Theater *

Wed Sept 21 || Olympia, WA || Obsidian *

Thu Sept 22 || Seattle, WA || Crocodile *

Sat Sept 24 || Salt Lake City, UT || Kilby Court *

Mon Sept 26 || Denver, CO || Larimer Lounge *

Tue Sept 27 || Omaha, NE || Milk Run *

Wed Sept 28 || Minneapolis, MN || 7th St Entry *

Thu Sept 29 || Madison, WI || High Noon *

Fri Sept 30 || Chicago, IL || Subterranean *

Sat Oct 01 || Detroit, MI || El Club *

Sun Oct 02 || Toronto, ON || Horseshoe Tavern *

Mon Oct 03 || Montreal, QC || Bar Le Ritz *

Tues Oct 04 || Burlington, VT || ArtsRiot *

Wed Oct 05 || Boston, MA || The Sinclair *

Tue Oct 18 || Brighton, ENG || Sticky Mike’s

Wed Oct 19 || Leeds, ENG || Brudenell Social Club

Thu Oct 20 || Dublin, IRL || Whelans

Fri Oct 21 || Glasgow, SCT || The Hug & Pint

Mon Oct 24 || London, ENG || The Dome

Tue Oct 25 || Lille, FR || La Péniche

Wed Oct 26 || Reims, FR || La Cartonnerie

Thu Oct 27 || Eindhoven, NL || Dutch Design Week @ Strommhuis

Fri Oct 28 || Paris, FR || Pitchfork Festival

Sat Oct 29 || Amsterdam, NL || London Calling @ Paradiso

* w/ Japanese Breakfast, Rivergazer

 

 

Tracklisting

01 Mood (Water Version)

02 Pool (Water Version)

03 Glow (Water Version)

04 Car (Water Version)

05 Shaver (Water Version)

06 Security (Water Version)

07 Black Dress

08 Black Budweiser T-Shirt

 

GET MY BANG - THE NEW AND EXCLUSIVE DOMINO SAMPLER

Wild Beasts | 05/08/16

Image: Get My Bang hi-res packshot

Domino are pleased to share news of a summer sampler; named after the first single from Wild Beasts new album, Get My Bang! showcases the sharpest cuts from Domino’s 2016 releases. 

Alongside the likes of Blood Orange – at his most personal and political on the recent Freetown Sound, The Kills – still simmering with tension on their fifth record, Baltimore’s finest Animal Collective, the beloved King Creosote and of course, Wild Beasts, there is also a slew of newer artists from the Domino stable to delve into including Kansas-based Taryn Miller aka Your Friend, Sam Coomes (The Quasi man’s first solo album), NYC’s Porches, and the shadowy, psychedelic adventurers Higher Authorities.

Get My Bang! is available free with every order placed at Domino Mart and there’s a 20% discount available across the catalogue (excluding pre-orders until September 1st).  Plenty of bang for your buck!

Shop here: http://smarturl.it/DominoSale

Full tracklisting:

1.       Wild Beasts – Get My Bang

2.       Blood Orange – Best To You

3.       Motion Graphics – Lense

4.       Sam Coomes – Stride On

5.       The Kills – Doing It To Death

6.       Bob Moses – Before I Fall

7.       Porches – Hour

8.       Night Moves – Carl Sagan

9.       King Creosote – You Just Want

10.   Higher Authorities - … And Why Not

11.   Your Friend – Come Back From It

12.   White Lung – Below

13.   The Range – Florida

14.   Animal Collective – FloriDada

15.   Yorkston Thorne Khan – Little Black Buzzer

16.   Villagers – That Day (live version)

 

WATCH THE RANGE'S SUPERIMPOSE DOCUMENTARY

The Range | 04/08/16

Image: Superimpose still

Superimpose, the documentary exploring the voices on The Range’s 2016 album Potential, is out today. You can watch the documentary via the Pitchfork TV YouTube, or via The Scene, the Conde Nast video hub.

Alongside the documentary release, The Range has today released Superimpose (Music From The Documentary) EP. It is available to stream or buy now via all good digital retailers.

Watch Superimpose here

Stream the Superimpose EP here

Download the Superimpose EP here 

The Range is performing today as part of THUMP’s live-streamed DJ set series Sunsets. Tune in via THUMP Facebook Live HERE at 5:30pm ET today to watch The Range debut tracks from the Superimpose EP. 

The Range will be appearing on SiriusXMU tomorrow (Friday) night, hosting an hour-long Complete Control show. He’ll be playing songs off the EP, and will have some surprises in store for fans who tune in. The guest host set airs at 7pm ET and again at 11pm ET.

Additionally, The Range’s ‘Midnight In A Perfect World’ mix for KEXP airs tomorrow, Friday August 5th at midnight PT / Saturday 3am ET.  

SUPERIMPOSE screenings + events

Thurs Aug 4 || Brooklyn, NY || THUMP Sunsets Live-stream (DJ set, with thanks to Serato) || via THUMP YouTube or Facebook

Thurs Aug 4 || New York, NY || Ludlow House (Screening + Q&A + Live Set)|| Private Event

Fri Aug 26 || Berlin, Germany || YouTube Space, Berlin || (Screening + Q&A + DJ Set)

SUPERIMPOSE explores the making of The Range's new album Potential, which exclusively uses the voices of people who posted videos of themselves on YouTube. The documentary sheds light on the unique and varied human stories of the people featured on the album who were completely unknown to The Range (Brooklyn-based electronic producer James Hinton) when originally selected. The documentary travels to off-the-beaten-path neighborhoods of New York City, NY; Kingston, Jamaica and London, England to tell the stories of a wide range of unique people - from Kai, the shy Brooklyn teenager who loves singing Ariana Grande covers; to Damian “Naturaliss” Gordon, the charismatic Jamaican correctional officer by day, dancehall singer by night; to Ophqi, the determined Brixton rapper and dutiful father with a difficult past who is still waiting for his moment to succeed as a musician; and more. Directed by the gifted young filmmaker Daniel Kaufman whose resume includes short films and music videos for DJ Khaled, Waka Flocka Flame, OT Genasis, The Decemberists, and more.

SUPERIMPOSE is soundtracked by music from the Range’s critically acclaimed 2016 album Potential as well as unreleased new material made specifically for the documentary. A seven song EP - Superimpose (Music From the Documentary) EP - featuring new material from the documentary and a reworked version of Potential album standout ‘Superimpose’ is being released digitally to coincide with the documentary release.

The Range live dates

Fri Aug 12 || Way Out West Festival || Gothenburg, Sweden

Sat Aug 20 || Lowlands Festival || Biddinghuizen, Netherlands

Sat Aug 27 || Reading Festival || Reading, UK

Sun Aug 28 || Leeds Festival || Wetherby, UK

Thurs Sept 22 – Mon Sept 26 || Symbiosis Gathering || Oakdale, CA

Fri Oct 21 || House Of Blues || Boston, MA *

Sat Oct 22 || Hammerstein Ballroom || New York, NY *

Mon Oct 24 || The Fillmore || Philadelphia, PA *

Tues Oct 25 || 9:30 Club || Washington, DC *

Wed Oct 26 || 9:30 Club || Washington, DC *

Fri Oct 28 || The Ritz || Raleigh, NC *

Sat Oct 29 || The Fillmore || Charlotte, NC *

Sun Oct 30 || The Mill & Mine || Knoxville, TN *

Mon Oct 31 || Marathon Music Works || Nashville, TN *

Wed Nov 2 || Buckhead Theater || Atlanta, GA *

Thurs Nov 3 || Joy Theater || New Orleans, LA *

Sat Nov 5 || Bomb Factory || Dallas, TX *

Fri Nov 4 – Sun Nov 6 || Sound On Sound Festival || Bastrop, TX

* = with Phantogram

 

THE CLANG GROUP RELEASE DEBUT ALBUM PRACTICE SEPTEMBER 30TH, WATCH THE VIDEO FOR ACRE LANE

01/08/16

Image: Photo credit Clare Muller

On turning 60, legendary producer Clive Langer decided it was time to get a band together.

Previous to that moment, Clive’s CV read like a route map of the last four decades of the very best British music. As a member of legendary rock’n’roll misfits Deaf School, Langer had helped influence a generation of kids who’d go on to form bands as diverse as Madness and Frankie Goes to Hollywood. Later on - with studio partner Alan Winstanley – he helped steer everything from One Step Beyond to Kilimanjaro; Too-Rye-Ay to Shipbuilding (a co-write with Elvis Costello) with stop offs for the Attractions, the Commotions, Morrissey, Roddy Frame and even the Dame himself (Bowie’s timeless classic Absolute Beginners). But something about that significant age set him on a different path.

Formed two years ago, The Clang Group are that band. Their first LP is called Practice.  It comes out on Domino on Friday the 30th of September.

Recorded at Iguana Studio in Brixton with musician mates and long time cohorts (including Suggs and Roxy Music’s Andy Mackay), Practice is jagged, melodious, ingenious, impulsive and exhilarating. Usually all the same time. Driven by a frantic and restless energy, it’s exactly the kind of record you’d hope someone would make if they woke up aged 60 thinking, “Fuck it, I’m going to start a rock’n’roll band.” Yes, that good.                                                

Tracklisting: Concertina / Acre Lane / Amsterdam / I’m Sorry / Bike / Had A Nice Night / Heaven Calls Another Name / Picture Postcard Paradise / Knock Me Off / Out Of Time

Practice will be available on CD (WIGCD372), Vinyl (WIGLP372) and Digitally (WIG372D). Vinyl and digital versions come with a digital bonus  EP featuring Rhoda / Places & Things / Breaking Out / Shipbuilding. You can buy the album on iTunes or via Dom Mart – special limited edition signed vinyl with a physical bonus 12” is also available exclusively via Dom Mart.   The video for first single ‘Acre Lane’ was directed by Edwin Burdis in a secret location in East London – watch it HERE.  You can stream the track HERE.  

Pre-order Practice on signed 12" vinyl via Domino Mart HERE

Pre-order Practice on standard 12" vinyl via Domino Mart HERE

Pre-order Practice on digital download HERE

The Clang Group will play live in support of the album this autumn. 

 

WILD BEASTS STREAM NEW ALBUM BOY KING IN FULL

Wild Beasts | 29/07/16

Image: Wild Beasts_HeaderNL.jpg

Having shared its latest cut ‘Tough Guy’ earlier this week, Wild Beasts are streaming their acclaimed fifth album, Boy King, in full now. Featuring the singles ‘Get My Bang’ and ‘Big Cat’, listen to Boy King via Apple Music now HERE.

Listen to Wild Beasts ‘Reincarnations’ playlist HERE

Watch the visualizer for Tough Guy HERE

Watch the official video for Get My Bang HERE

Watch the official video for Big Cat HERE

Boy King will be released on heavyweight 12” vinyl including album download card, with a deluxe edition including a bonus 7” of two bonus songs available via the Wild Beasts online store. The album will also be released on standard and deluxe CD formats, with the deluxe edition including a 12-page booklet, as well as digital download. 

All deluxe editions include bonus material, Boy King Trash.

Pre-order the deluxe 12” of Boy King via Wild Beasts’ online store HERE

Pre-order the standard 12” of Boy King via Domino Mart HERE

Pre-order the deluxe CD of Boy King via Domino Mart HERE

Pre-order the standard CD of Boy King via Domino Mart HERE

Forthcoming Wild Beasts live dates are as follows with UK dates highlighted bold. All tickets are on sale now via the band’s website HERE.

Fri 29 Jul 2016 UK, Brighton Hove Old Market

Fri 05 Aug 2016 UK, London Rough Trade East [IN STORE PERFORMANCE]

Wed 10 Aug 2016 USA, New York City Baby’s All Right

Thu 18 Aug 2016 UK, Green Man Festival

Thu 25 Aug 2016 UK, London Banquet Records [IN STORE PERFORMANCE]

Fri 26 Aug 2016 UK, UK Electric Fields

Sat 27 Aug 2016 Finland, Helsinki Modern Sky Festival

Fri 02 Sep 2016 Netherlands, Into The Great Wide Open

Sun 04 Sep 2016 Ireland Electric Picnic

Sat 24 Sep 2016 Germany, Reeperbahn Festival

Wed 28 Sep 2016 UK, Bristol Motion

Thu 29 Sep 2016 UK, Oxford O2 Academy Oxford

Fri 30 Sep 2016 UK, Margate By The Sea Festival

Sat 01 Oct 2016 UK, Sheffield The Foundry

Mon 03 Oct 2016 UK, Cambridge The Junction

Tue 04 Oct 2016 UK, London The Roundhouse

Fri 07 Oct 2016 UK, Newcastle Northumbria Uni

Sat 08 Oct 2016 UK, Glasgow QMU

Sun 09 Oct 2016 UK, Manchester Academy

Wed 12 Oct 2016 Belgium, Brussels Botanique Orangerie

Thu 13 Oct 2016 France, Paris La Gaîté Lyrique

Fri 14 Oct 2016 France, Tourcoing Le Grand Mix

Sat 15 Oct 2016 France, Strasbourg La Laiterie

Sun 16 Oct 2016 Germany, Cologne Luxor

Tue 18 Oct 2016 Denmark, Copenhagen Pumpehuset

Thu 20 Oct 2016 Germany, Berlin Kesselhaus

Fri 21 Oct 2016 Czech Republic, Prague Lucerna Music Bar

Sun 23 Oct 2016 Switzerland, Zurich, Rote Fabrik

Tue 25 Oct 2016 Italy, Milan, Magnolia

Wed 26 Oct 2016 France, Lyon Epicerie Moderne

Sat 29 Oct 2016 Spain, Bilbao BIME

 

SAM COOMES SHARES NEW SONG 'FORDANA' TAKEN FROM DEBUT ALBUM OUT AUGUST 19TH

Sam Coomes | 21/07/16

Image: Sam Coomes press shot

Ahead of the release of Sam Coomes’ first ever solo album Bugger Me – due August 19th on Domino Records - he is pleased to share another cut from the record.  

Listen to ‘Fordana’ below, a heartfelt song that only Coomes could make with its glitchy and melancholic organ stabs. 

Coomes is probably best known as half of the long running underground pop duo Quasi, the other half being Janet Weiss, herself better known as the drummer for Sleater-Kinney. Alongside bandmate Janet Weiss, Quasi have released nine albums over the last two decades and toured all over the world. Concurrently, Sam Coomes has played and recorded with the likes of Built to Spill, Elliott Smith and Jandek, worked as a producer and scored numerous soundtracks for underground films and art installations. In short, he is not a newcomer to the scene.

Coomes previously shared ‘Stride On’. Listen here

Bugger Me in Coomes’ own words is Suicide meets The Beach Boys. Not the sophisticated ‘Pet Sounds’ Beach Boys, but more like ‘Surfer Girl’ stuff. More conscious reference points were Chris Montez or Timmy Thomas.” He wanted to make “entertainment music, but entertainment music meant for those not served by more mainstream entertainment music.  Maybe one might want to take a break from Sheer Hellish Miasma & enjoy some simple tunes that maybe speak to the same sense of the absurd, that likewise reject commercialism & market-based aesthetics, & even now & again pay a little homage to the raw synthesizer noise we have grown to love & even crave. Maybe timeworn themes such as love & war still resonate in the dusty backrooms of your mind (indeed maybe they are the only themes which do so).” 

Accompanied only by his organ and ‘Conny’ – a mid-‘60s rhythm box (non-programmable, “not even really a drum machine”), Coomes made a conscious choice to pare things back. He explains: “In a time where anyone with a computer & enough time on their hands can micro-manage a given piece of music to the nth degree; can process, arrange, edit & otherwise wheedle a song into a state-of-the-art showcase of outclevering the next guy… maybe allowing a song to exist at its most basic level is a means to not only subvert market-based (or, almost equivalently, technology-based) standards of production, but also a means to keep the music & the performance of the music honest.  This is assuming of course that honesty is a good thing, or at least is considered a good thing by those unmoved by mainstream entertainment music, which often reeks of dishonesty.  Whether this is a safe assumption, who knows?  Actually, I’m suspicious of people proclaiming their own honesty – so forget it.  Certainly, its artifice.  But the intent is honest artifice – like the original King Kong, as opposed to the remakes.  If King Kong for you means Willis O’Brien rather than Dino De Laurentis or Peter Jackson, then you probably have an idea of what I’m driving at.”

 
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